Rich Horror, you are now a god.[views:93796][posts:125]____________________________________________________ [Mar 24,2008 6:44pm - menstrual_sweatpants_disco ""] [img] |
| ____________________________________________________ [Mar 24,2008 6:44pm - menstrual_sweatpants_disco ""] I can't say how many times I've jerked off to this. |
| _____________________________ [Mar 24,2008 6:53pm - ZJD ""] I am lolling out loud right now. |
| ___________________________________ [Mar 24,2008 6:55pm - dreadkill ""] mike, are you in blackface, or is that a shadow? |
| ___________________________________ [Mar 24,2008 6:55pm - dreadkill ""] it's creepy that rich can get that thing almost balls deep |
| ____________________________________________________ [Mar 24,2008 7:01pm - menstrual_sweatpants_disco ""] i'll post another one later od him with the balls in his mouth and him flopping the dick around. |
| _____________________________________ [Mar 24,2008 7:05pm - Dave_Maggot ""] did you guys find it or is this old? |
| ___________________________________ [Mar 24,2008 7:08pm - dreadkill ""] me and my roommate have been laughing at this for minutes now. |
| __________________________________ [Mar 24,2008 7:20pm - shultze ""] i just puked a little in my mouth... |
| _____________________________________ [Mar 24,2008 7:22pm - AUTOPSY_666 ""] I'm next! |
| ____________________________________ [Mar 24,2008 8:09pm - RichHorror ""] mikeposted (6:43:22 PM): happy birthday mikeposted (6:43:40 PM): http://img143.imageshack.us/img143/8498/animation1pd1.gif Cowmaximus (8:09:02 PM): I hate myself and am quitting |
| __________________________________ [Mar 24,2008 8:38pm - Dankill ""] Rich says: BLargagrrrughusfllsuh! |
| ____________________________________ [Mar 24,2008 8:40pm - RichHorror ""] I can no longer in all good conscience be a member of this band. |
| ____________________________________ [Mar 24,2008 9:02pm - Murph nli ""] I like the way you twist the dong on the way out. Gonna suggest that manuever to my lady friend. Gay? A little. |
| ______________________________________ [Mar 24,2008 9:09pm - the_reverend ""] I like how msd is all "oh hi, i upgraded your ramz" there. |
| ____________________________________ [Mar 24,2008 9:19pm - RichHorror ""] Murph, make sure you tell you got the technique from a fat skinhead. |
| ______________________________________ [Mar 24,2008 9:23pm - Hungtableed ""] menstrual_sweatpants_disco said:[img] Hahahaha, talk about a typical fat kid who only does fucked up shit for laughs. Too bad that there is nothing funny about a dude sucking a dildo like its a cock. You're a fucking queer and that's all there is to say about that. There is no argument otherwise...if you try to make one then you are only lying to your self. |
| ____________________________________ [Mar 24,2008 9:24pm - RichHorror ""] Hahahaha, talk about a guy who would never say shit to my face. |
| ______________________________________ [Mar 24,2008 9:26pm - Hungtableed ""] Of coarse I would. |
| ______________________________________ [Mar 24,2008 9:26pm - Hungtableed ""] Dude, you suck dildos... am I supposed to be intimidated? |
| _______________________________ [Mar 24,2008 9:26pm - Pires ""] Rich finally had the balls to do what we all want to do in life...only this time it wasn't coming from his asshole...I commend you fine sir... |
| ____________________________________ [Mar 24,2008 9:27pm - RichHorror ""] Prove me wrong, ever. You won't. All the shows I book are present enough on this board. I'll put you on the guest list. |
| ______________________________________ [Mar 24,2008 9:31pm - Hungtableed ""] hahahahaha, someone is a wee bit embarrassed about the fact that the world found out (via the interweb) that he is queer enough to suck a rubber dick. What do you have to say about that? I guess it's all the coke which, like ecstasy, makes you gayer than the easter bunny. Did you go for an easter egg hunt yesterday? |
| __________________________________ [Mar 24,2008 9:31pm - archaeon ""] I think the funny part is that MSD appears just as he starts to slide the dick in his mouth. it's his calling! |
| ____________________________________ [Mar 24,2008 9:32pm - RichHorror ""] I did it on camera, you fucking hayseed. Yeah, I'm totally shocked it was 'found out'. Go pretend to be in the military even though you couldn't make the cut. |
| ______________________________________ [Mar 24,2008 9:33pm - swamplorddvm ""] oh good god! making me drip. |
| ______________________________________ [Mar 24,2008 9:34pm - Hungtableed ""] Aigght dude. You suck dildos, fag...why not suck a real one and prove your homosexuality. You're obviously a taker... |
| ____________________________________ [Mar 24,2008 9:36pm - RichHorror ""] Why not join the real marines? You talk about the armed forces so much yet can't get over there and fight for your country. Why is that? |
| ______________________________________ [Mar 24,2008 9:41pm - Hungtableed ""] I'm not going to go in the armed services because I already love what I do. If I were even remotely as pathetic as one who would suck dildos like they were fleshy dicks I would be willing to do anything to get away from my current life status. |
| ____________________________________ [Mar 24,2008 9:43pm - RichHorror ""] In other words, you are too chickenshit to do anything but yell USA USA behind a computer screen. |
| ______________________________________ [Mar 24,2008 9:50pm - Hungtableed ""] ...dude...you suck dildos like they're a cocks. Your opinion on the matter of being "chickenshit" or even being a "pussy" for that matter is therefor completely nullified, forever. |
| _______________________________________ [Mar 24,2008 11:01pm - ellesarusrex ""] rich is fun... anyone who is a prude about having fun can eat a bowl of dicks.. he did it for a laugh.. so laugh an/or shut your trap |
| ______________________________________ [Mar 24,2008 11:06pm - Dave_Maggot ""] yeah, i smacked that dildo around, its mystifying. if its in your general area you just gotta pick it up. take it for a walk, tell it your best jokes, practice fencing with it. if messing with that dildo makes you gay. then gosh darn it. composted are a whole bunch of grade A-fairies. and i can live with that. i sure can. |
| _____________________________________ [Mar 24,2008 11:06pm - Murph nli ""] Wow, jokes really get lost on some people. Homophobic people are the most unfunny, uninteresting people ever. PS. I know you love AMERICA dude, but maybe you should move to Iran. I heard in the news there are "no homsexuals" over there. |
| ____________________________________ [Mar 24,2008 11:50pm - dreadkill ""] i get sad when i read about people who lack a sense of humor. having no sense of humor is like not being able to have an orgasm. it really makes life suck. rich is a funny guy and the stuff he does is entertaining. if you can't laugh at goofy shit, how do you enjoy your life? |
| _____________________________________________________ [Mar 25,2008 12:03am - menstrual_sweatpants_disco ""] Alright, I feel bad because this is all out of context now. Rich did this dumb shit on camera during practice to make his friends crack up. That's it. And crack up we did. I shouldn't have posted it here. Secondly, HungtaBleed is a pussy and WILL NEVER confront anybody in person with the shit he's saying here. I think everybody obviously knows this. Therefore, his opinion is totally invalid. Fuck him. Has anybody even met this clown in real life? He's useless. |
| ____________________________________ [Mar 25,2008 12:23am - narkybark ""] now I know how rich can pay me next time. |
| _____________________________________ [Mar 25,2008 12:25am - RichHorror ""] Yeah, because getting paid $60 for our first show at a venue is obviously HORSESHIT. |
| _______________________________________ [Mar 25,2008 12:29am - the_reverend ""] rich will show you how gay he is when he gets drunk and sucks your fucking dix. |
| _____________________________________ [Mar 25,2008 12:31am - RichHorror ""] Yep, all the time. |
| _______________________________________ [Mar 25,2008 12:31am - the_reverend ""] rich sucking dix is pure comic gold. |
| _____________________________________ [Mar 25,2008 12:32am - RichHorror ""] Yeah, I'm laughing already. Which fits since I'm an apparent laughingstock. |
| _______________________________________ [Mar 25,2008 12:37am - the_reverend ""] you aren't a staughinglock, you are just a faggot. I just figure that everyone from mass is a faggot.. I mean, it is mass, right? |
| _____________________________________ [Mar 25,2008 12:39am - RichHorror ""] You got it. |
| _____________________________________ [Mar 25,2008 12:40am - RichHorror ""] <bartlesandjames>Thank you for your support.</bartlesandjames> |
| ___________________________________ [Mar 25,2008 12:59am - mortalis ""] menstrual_sweatpants_disco said: Secondly, HungtaBleed is a pussy and WILL NEVER confront anybody in person with the shit he's saying here. I think everybody obviously knows this. Therefore, his opinion is totally invalid. Fuck him. Has anybody even met this clown in real life? He's useless. he was actually pretty nice when grant and i met him at a show at that mill street brews place. least i think that was him. then again, we weren't having anti-american gay sex at the time. that was when we got home. |
| ___________________________________ [Mar 25,2008 2:22am - narkybark ""] RichHorror said:Yeah, because getting paid $60 I wasn't talking about money. I want some TLC, and now I know you can deliver it. |
| ___________________________________ [Mar 25,2008 2:23am - narkybark ""] I mean, just look at that. It's like someone eating an eclaire, in reverse. |
| ______________________________________ [Mar 25,2008 2:24am - deadlikemurf ""] someone needs to make msd's head pedo bear. now. |
| ____________________________________ [Mar 25,2008 2:28am - RichHorror ""] I'm so glad I give so many new bands a shot at a good show and exposure. This really makes all my hard work worthwhile. |
| __________________________________________ [Mar 25,2008 3:59am - thegreatspaldino ""] i dont know rich personally at all and i am really drubk, but if you have a problem with him for reason... i will fuck you up. believe it. |
| ____________________________________ [Mar 25,2008 4:06am - RichHorror ""] I'm over it. Thank you, Xanax. |
| ______________________________________ [Mar 25,2008 5:10am - Hungtableed ""] All I hear while reading through this is: I have sand in my dick hole I'm just being a ball buster. No one has caught on yet that it is what I do around here? Also, I like throwing the word fag around here because everyone gets their panties in knot like I just said something about their religion. OMFG, he-th's a homophobe guy-ths...that-th's pathetic. I'm th-so pro-gay I'll th-suck a rubber dick. Sorry I rained on your gay parade, you are free to laugh about dude's who suck rubber schlongs again... |
| ____________________________________ [Mar 25,2008 6:59am - GodlessRob ""] I was actually sickened to my stomach when I saw this and NOT for the reasons previously mentioned. I have heard stories of what goes on with that thing at practices and all I can say Rich is... ...I hope you washed that thing off before you put it in your mouth!:pukeface::pukeface::LOL: |
| ____________________________________________________ [Mar 25,2008 8:32am - menstrual_sweatpants_disco ""] and wash away the flavor!? |
| __________________________________________________ [Mar 25,2008 9:22am - now in kadoog-a-vision! ""] [img] |
| _________________________________________ [Mar 25,2008 9:23am - MassOfSLITZnli ""] honestly, I thought it was a pickle... ehhhhh |
| ____________________________________ [Mar 25,2008 9:26am - RichHorror ""] That thing gets sanitized more than an operating room. |
| ____________________________________ [Mar 25,2008 2:54pm - RichHorror ""] Ok, back pedalling coward. I recall you saying you'd say the shit to my face. I don't see it happening. Thanks to asking around, I know what you look like, you skinny shrimp cunt. The fact remains that you are too much of a fucking pussy to do fight for your beliefs aside from hiding behind a computer screen. At least I was only joking, while you are a chickenshit faggot that talks big on the way but has no balls to serve for his country. |
| ____________________________________ [Mar 25,2008 2:56pm - RichHorror ""] Also, Aaron. Nice job making fun of me along with this cocksucker when I support you and your site every fucking day and in everyway I can. Nice slap to my face. Fuck you. |
| ______________________________________ [Mar 25,2008 3:01pm - the_reverend ""] made fun? I was supporting your gayness. |
| _________________________________ [Mar 25,2008 3:01pm - W3 nli ""] [img] |
| ____________________________________ [Mar 25,2008 3:02pm - RichHorror ""] Yeah, ok. |
| ___________________________________ [Mar 25,2008 3:02pm - dreadkill ""] i think aaron actually was joking. |
| ____________________________________ [Mar 25,2008 3:03pm - RichHorror ""] Yeah, let's all make nice so no one has their feelings hurt. Cunts. |
| ____________________________________ [Mar 25,2008 3:05pm - RichHorror ""] I still want to know where you're gonna step up like a man and call me a faggot to my face, you backwoods cunt. |
| ____________________________________ [Mar 25,2008 3:11pm - RichHorror ""] You're some skinny midget that thinks he's in the army. You talk like a big man about killing the sand niggers. Don't you love to fight? I do. Let's do this, faggot. |
| ____________________________________ [Mar 25,2008 3:11pm - RichHorror ""] aaaaaaaaaaaaaaaahahahahahahahahahahahahahahahahha |
| _________________________________ [Mar 25,2008 3:13pm - W3 nli ""] KILL THAT MOTHERFUCKER GETT'EM GETT'EM HE'S GETTING AWAY, SOMEBODY KILL'EM |
| ____________________________________ [Mar 25,2008 3:20pm - RichHorror ""] e-drama is hilarious |
| _________________________________ [Mar 25,2008 3:21pm - W3 nli ""] FISHES :HUMP: |
| _____________________________ [Mar 25,2008 3:23pm - ZJD ""] Where the fuck is Hoser? Also, if sucking a fake dick didn't give Rich a boner, he is not gay. |
| _________________________________ [Mar 25,2008 3:24pm - W3 nli ""] [img] |
| _______________________________ [Mar 25,2008 3:31pm - Mucko ""] W3%20nli said:[img] You are fucking dead! Now I have that chewy candy fish feeling in my teeth and no money. I am going to punch you in your cock from my wheelchair. |
| _________________________________ [Mar 25,2008 3:35pm - W3 nli ""] that sounds intense....... but [img] |
| _______________________________ [Mar 25,2008 3:37pm - Mucko ""] Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Di post was too long read more at your own risk |
| _______________________________ [Mar 25,2008 3:40pm - Mucko ""] [Index to the Anarchist Cookbook IV, ver. 4.14] COOKBOOK.IV: Intro by Exodus 001: Counterfeiting Money 002: Credit Card Fraud 003: Making Plastic Explosives from Bleach 004: Picking Master Locks 005: The Arts of Lockpicking I 006: The Arts of Lockpicking II 007: Solidox Bombs 008: High Tech Revenge: The Beigebox (NEW Revision 4.14) 009: CO2 Bombs 010: Thermite Bombs (NEW Rivision, 4.14) 011: Touch Explosives 012: Letter Bombs 013: Paint Bombs 014: Ways to send a car to HELL 015: Do ya hate school? (NEW Revision, 4.14) 016: Phone related vandalism 017: Highway police radar jamming 018: Smoke Bombs 019: Mail Box Bombs 020: Hotwiring cars 021: Napalm 022: Fertilizer Bomb 023: Tennis Ball Bomb 024: Diskette Bombs 025: Unlisted Phone Numbers (NEW Revision, 4.14) 026: Fuses 027: How to make Potassium Nitrate 028: Exploding Lightbulbs 029: Under water igniters 030: Home-brew blast cannon 031: Chemical Equivalency List 032: Phone Taps 033: Landmines 034: A different kind of Molitov Cocktail 035: Phone Systems Tutorial I 036: Phone Systems Tutorial II 037: Basic Alliance Teleconferencing 038: Aqua Box Plans 039: Hindenberg Bomb 040: How to Kill Someone with your Bare Hands 041: Phone Systems Tutorial III 042: Black Box Plans 043: The Blotto Box 044: Blowgun 045: Brown Box Plans 046: Calcium Carbide Bomb 047: More Ways to Send a Car to Hell 048: Ripping off Change Machines (NEW Revision, 4.14) 049: Clear Box Plans 050: CNA Number Listing 051: Electronic Terrorism 052: How to Start a Conference w/o 2600hz or M-F 053: Dynamite 054: Auto Exhaust Flame Thower 055: How to Break into BBS Express 056: Firebomb 057: Fuse Bomb 058: Generic Bomb 059: Green Box Plans 060: Portable Grenade Launcher 061: Basic Hacking Tutorial I 062: Basic Hacking Tutorial II 063: Hacking DEC's 064: Harmless Bombs 065: Breaking into Houses (NEW Revision, 4.14) 066: Hypnotism 067: Remote Informer Issue #1 068: Jackpotting ATM Machines 069: Jug Bomb 070: Fun at K-Mart 071: Mace Substitute 072: How to Grow Marijuana 073: Match Head Bomb 074: Terrorizing McDonalds 075: "Mentor's" Last Words 076: The Myth of the 2600hz Detector 077: Blue Box Plans (Ye' olde Favorite) 078: Napalm II 079: Nitroglycerin Recipe 080: Operation: Fuckup 081: Stealing Calls from Payphones 082: Pool Fun (NEW Revision, 4.14) 083: Free Postage 084: Unstable Explosives 085: Weird Drugs 086: The Art of Carding 087: Recognizing Credit Cards 088: How to Get a New Identity 089: Remote Informer Issue #2 090: Remote Informer Issue #3 091: Remote Informer Issue #4 092: Remote Informer Issue #5 093: Phreaker's Guide to Loop Lines 094: Ma-Bell Tutorial 095: Getting Money out of Pay Phones 096: Computer-based PBX 097: PC-Pursuit Port Statistics 098: Pearl Box Plans 099: The Phreak File 100: Red Box Plans 101: RemObs 102: Scarlet Box Plans 103: Silver Box Plans 104: Bell Trashing 105: Canadian WATS Phonebook 106: Hacking TRW 107: Hacking VAX & UNIX 108: Verification Circuits 109: White Box Plans 110: The BLAST Box 111: Dealing with the Rate & Route Operator 112: Cellular Phone Phreaking 113: Cheesebox Plans 114: How to Start Your Own Conferences 115: Gold Box Plans 116: The History of ESS 117: The Lunch Box 118: Olive Box Plans 119: The Tron Box 120: More TRW Info 121: "Phreaker's Phunhouse" 122: Phrack Magazine - Vol. 3, Issue 27 (Intro to MIDNET) 123: Phrack Magazine - Vol. 3, Issue 27 (The Making of a Hacker) 124: Phrack Magazine - Vol. 3, Issue 28 (Network Miscellany) 125: Phrack Magazine - Vol. 3, Issue 28 (Pearl Box Schematic) 126: Phrack Magazine - Vol. 3, Issue 28 (Snarfing Remote Files) 127: Phrack Magazine - Vol. 3, Issue 30 (Western Union, Telex, TWX & Time Service) 128: Phrack Magazine - Vol. 3, Issue 30 (Hacking & Tymnet) 129: Phrack Magazine - Vol. 3, Issue 30 (The DECWRL Mail Gateway) 130: Sodium Chlorate 131: Mercury Fulminate 132: Improvised Black Powder 133: Nitric Acid 134: Dust Bomb Instructions 135: Carbon-Tet Explosive 136: Making Picric Acid from Aspirin 137: Reclamation of RDX from C-4 Explosives 138: Egg-based Gelled Flame Fuels 139: Clothespin Switch 140: Flexible Plate Switch 141: Low Signature Systems (Silencers) 142: Delay Igniter From Cigarette 143: Nicotine 144: Dried Seed Timer 145: Nail Grenade 146: Bell Glossary 147: Phone Dial Locks -- How to Beat'em 148: Exchange Scanning 149: A Short History of Phreaking 150: "Secrets of the Little Blue Box" (story) 151: The History of British Phreaking 152: "Bad as Shit" (story) 153: Telenet 154: Fucking with the Operator 155: Phrack Magazine - Vol. 1, Issue 1 (The Phone Preak's Fry-Um Guide) 156: International Country Code Listing 157: Infinity Transmitter Schematic and Plans 158: LSD 159: Bananas 160: Yummy Marihuana Recipes 161: Peanuts 162: Chemical Fire Bottle 163: Igniter from Book Matches 164: "Red or White Powder" Propellant 165: Pipe Hand Grenade 166: European Credit Card Fraud (Written by Creditman! A Cookbook IV Recap!!) 167: Potassium Bomb 168: Your Legal Rights (For adults, or some of us think we are) 169: Juvenile Offenders' Rights 170: Down The Road Missle 171: Fun With ShotGunn Shells 172: Surveillance Equipment 173: Drip Timer 174: Stealing 175: Miscellaneous 176: Shaving cream bomb 177: Ripping off change machines 2 178: Lockpicking the EASY way 179: Anarchy 'N' Explosives Prelude 180: Anarchy 'N' Explosives Vol. 1 181: Anarchy 'N' Explosives Vol. 2 182: Anarchy 'N' Explosives Vol. 3 183: Anarchy 'N' Explosives Vol. 4 184: Anarchy 'N' Explosives Vol. 5 185: Explosives and Propellants 186: Lockpicking 3 187: Chemical Equivalent List 2 188: Nitroglycerin 2 189: Cellulose Nitrate 190: Starter Explosives 191: Flash Powder 192: Exploding Pens 193: Revised Pipe Bombs 4.14 194: * SAFETY * A MUST READ! 195: Ammonium TriIodide 196: Sulfuric Acid / Ammonium Nitrate III 197: Black Powder 3 198: Nitrocellulose 199: R.D.X. (Revised 4.14) 200: The Black Gate BBS 201: ANFOS 202: Picric Acid 2 203: Bottled Explosives 204: Dry Ice 205: Fuses / Ignitors / Delays 206: Film Canister Bombs 207: Book Bombs 208: Phone Bombs 209: Special Ammunition 210: Rocketry 211: Pipe Cannon 2 212: Smoke Bombs 4.14 213: Firecrackers 214: Suppliers II 215: Lab-Raid Checklist 216: Misc. Anarchy 217: LockPicking 4 218: Misc. Anarchy II 219: -* THERMITE 4 *- <-- The BEST rev. to 4.14 220: Conclusion Look for the NEXT Edition of The Anarchist CookBook!! -=> Exodus <=-_ Counterfeiting Money by JRoger Before reading this article, it would be a very good idea to get a book on photo offset printing, for this is the method used in counterfeiting US currency. If you are familiar with this method of printing, counterfeiting should be a simple task for you. Genuine currency is made by a process called "gravure", which involves etching a metal block. Since etching a metal block is impossible to do by hand, photo offset printing comes into the process. Photo offset printing starts by making negatives of the currency with a camera, and putting the negatives on a piece of masking material (usually orange in color). The stripped negatives, commonly called "flats", are then exposed to a lithographic plate with an arc light plate maker. The burned plates are then developed with the proper developing chemical. One at a time, these plates are wrapped around the plate cylinder of the press. The press to use should be an 11 by 14 offset, such as the AB Dick 360. Make 2 negatives of the portrait side of the bill, and 1 of the back side. After developing them and letting them dry, take them to a light table. Using opaque on one of the portrait sides, touch out all the green, which is the seal and the serial numbers. The back side does not require any retouching, because it is all one color. Now, make sure all of the negatives are registered (lined up correctly) on the flats. By the way, every time you need another serial number, shoot 1 negative of the portrait side, cut out the serial number, and remove the old serial number from the flat replacing it with the new one. Now you have all 3 flats, and each represents a different color: black, and 2 shades of green (the two shades of green are created by mixing inks). Now you are ready to burn the plates. Take a lithographic plate and etch three marks on it. These marks must be 2 and 9/16 inches apart, starting on one of the short edges. Do the same thing to 2 more plates. Then, take 1 of the flats and place it on the plate, exactly lining the short edge up with the edge of the plate. Burn it, move it up to the next mark, and cover up the exposed area you have already burned. Burn that, and do the same thing 2 more times, moving the flat up one more mark. Do the same process with the other 2 flats (each on a separate plate). Develop all three plates. You should now have 4 images on each plate with an equal space between each bill. The paper you will need will not match exactly, but it will do for most situations. The paper to use should have a 25% rag content. By the way, Disaperf computer paper (invisible perforation) does the job well. Take the paper and load it into the press. Be sure to set the air, buckle, and paper thickness right. Start with the black plate (the plate without the serial numbers). Wrap it around the cylinder and load black ink in. Make sure you run more than you need because there will be a lot of rejects. Then, while that is printing, mix the inks for the serial numbers and the back side. You will need to add some white and maybe yellow to the serial number ink. You also need to add black to the back side. Experiment until you get it right. Now, clean the press and print the other side. You will now have a bill with no green seal or serial numbers. Print a few with one serial number, make another and repeat. Keep doing this until you have as many different numbers as you want. Then cut the bills to the exact size with a paper cutter. You should have printed a large amount of money by now, but there is still one problem; the paper is pure white. To dye it, mix the following in a pan: 2 cups of hot water, 4 tea bags, and about 16 to 20 drops of green food coloring (experiment with this). Dip one of the bills in and compare it to a genuine US bill. Make the necessary adjustments, and dye all the bills. Also, it is a good idea to make them look used. For example, wrinkle them, rub coffee grinds on them, etc. As before mentioned, unless you are familiar with photo offset printing, most of the information in this article will be fairly hard to understand. Along with getting a book on photo offset printing, try to see the movie "To Live and Die in LA". It is about a counterfeiter, and the producer does a pretty good job of showing how to counterfeit. A good book on the subject is "The Poor Man's James Bond". If all of this seems too complicated to you, there is one other method available for counterfeiting: The Canon color laser copier. The Canon can replicate ANYTHING in vibrant color, including US currency. But, once again, the main problem in counterfeiting is the paper used. So, experiment, and good luck! -= Exodus =- _Credit Card Fraud: ----------------- For most of you out there, money is hard to come by. Until now: With the recent advent of plastic money (credit cards), it is easy to use someone else's credit card to order the items you have always desired in life. The stakes are high, but the payoff is worth it. Step One: Getting the credit card information First off, you must obtain the crucial item: someone's credit card number. The best way to get credit card numbers is to take the blue carbons used in a credit card transaction at your local department store. These can usually be found in the garbage can next to the register, or for the more daring, in the garbage dumpster behind the store. But, due to the large amount of credit card fraud, many stores have opted to use a carbonless transaction sheet, making things much more difficult. This is where your phone comes in handy. First, look up someone in the phone book, and obtain as much information as possible about them. Then, during business hours, call in a very convincing voice - "Hello, this is John Doe from the Visa Credit Card Fraud Investigations Department. We have been informed that your credit card may have been used for fraudulent purposes, so will you please read off the numbers appearing on your Visa card for verification." Of course, use your imagination! Believe it or not, many people will fall for this ploy and give out their credit information. Now, assuming that you have your victim's credit card number, you should be able to decipher the information given. Step Two: Recognizing information from carbon copies Card examples: [American Express] XXXX XXXXXX XXXXX MM/Y1 THRU MM/Y2 JOE SHMOE [American Express] XXXX XXXXXX XXXXX MM/Y1 THRU MM/Y2 JOE SHMOE Explanation: MM/Y1 is the date the card was issued, and MM/Y2 is the expiration date. The American Express Gold Card has numbers XXXXXX XXXXXXXX XXXXXXXX, and is covered for up to $5000.00, even if the card holder is broke. [Mastercard] 5XXX XXXX XXXX XXXX XXXX AAA DD-MM-YY MM/YY JOE SHMOE Explanation: XXXX in the second row may be asked for during the ordering process. The first date is when the card was new, and the second is when the card expires. The most frequent number combination used is 5424 1800 XXXX XXXX. There are many of these cards in circulation, but many of these are on wanted lists, so check these first. [Visa] 4XXX XXX(X) XXX(X) XXX(X) MM/YY MM/YY*VISA JOE SHMOE Explanation: Visa is the most abundant card, and is accepted almost everywhere. The "*VISA" is sometimes replaced with "BWG", or followed with a special code. These codes are as follows: [1] MM/YY*VISA V - Preferred Card [2] MM/YY*VISA CV - Classic Card [3] MM/YY*VISA PV - Premier Card Preferred Cards are backed with money, and are much safer to use. Classic Cards are newer, harder to reproduce cards with decent backing. Premier Cards are Classic Cards with Preferred coverage. Common numbers are 4448 020 XXX XXX, 4254 5123 6000 XXXX, and 4254 5123 8500 XXXX. Any 4712 1250 XXXX XXXX cards are IBM Credit Union cards, and are risky to use, although they are usually covered for large purchases. Step Three: Testing credit You should now have a Visa, Mastercard, or American Express credit card number, with the victim's address, zip code, and phone number. By the way, if you have problems getting the address, most phone companies offer the Address Tracking Service, which is a special number you call that will give you an address from a phone number, at a nominal charge. Now you need to check the balance of credit on the credit card (to make sure you don't run out of money), and you must also make sure that the card isn't stolen. To do this you must obtain a phone number that businesses use to check out credit cards during purchases. If you go to a department store, watch the cashier when someone makes a credit card purchase. He/she will usually call a phone number, give the credit information, and then give what is called a "Merchant Number". These numbers are usually written down on or around the register. It is easy to either find these numbers and copy them, or to wait until they call one in. Watch what they dial and wait for the 8 digit (usually) merchant number. Once you call the number, in a calm voice, read off the account number, merchant number, amount, and expiration date. The credit bureau will tell you if it is ok, and will give you an authorization number. Pretend you are writing this number down, and repeat it back to them to check it. Ignore this number completely, for it serves no real purpose. However, once you do this, the bank removes dollars equal to what you told them, because the card was supposedly used to make a purchase. Sometimes you can trick the operator by telling her the customer changed his mind and decided not to charge it. Of course, some will not allow this. Remember at all times that you are supposed to be a store clerk calling to check out the card for a purchase. Act like you are talking with a customer when he/she "cancels". Step Four: The drop Once the cards are cleared, you must find a place to have the package sent. NEVER use a drop more than once. The following are typical drop sites: [1] An empty house An empty house makes an excellent place to send things. Send the package UPS, and leave a note on the door saying, "UPS. I work days, 8 to 6. Could you please leave the package on the back door step?" You can find dozens of houses from a real estate agent by telling them you want to look around for a house. Ask for a list of twenty houses for sale, and tell them you will check out the area. Do so, until you find one that suits your needs. [2] Rent A Spot U-Haul sometimes rents spaces where you can have packages sent and signed for. End your space when the package arrives. [3] People's houses Find someone you do not know, and have the package sent there. Call ahead saying that "I called the store and they sent the package to the wrong address. It was already sent, but can you keep it there for me?" This is a very reliable way if you keep calm when talking to the people. Do NOT try post office boxes. Most of the time, UPS will not deliver to a post office box, and many people have been caught in the past attempting to use a post office box. Also, when you have determined a drop site, keep an eye on it for suspicious characters and cars that have not been there before. Step Five: Making the transaction You should now have a reliable credit card number with all the necessary billing information, and a good drop site. The best place to order from is catalogues, and mail order houses. It is in your best interest to place the phone call from a pay phone, especially if it is a 1-800 number. Now, when you call, don't try to disguise your voice, thinking you will trick the salesperson into believing you are an adult. These folks are trained to detect this, so your best bet is to order in your own voice. They will ask for the following: name, name as it appears on card, phone number, billing address, expiration date, method of shipping, and product. Ask if they offer UPS Red shipping (next day arrival), because it gives them less time to research an order. If you are using American Express, you might have a bit of a problem shipping to an address other than the billing address. Also, if the salesperson starts to ask questions, do NOT hang up. Simply talk your way out of the situation, so you won't encourage investigation on the order. If everything goes right, you should have the product, free of charge. Insurance picks up the tab, and no one is any wiser. Be careful, and try not to order anything over $500. In some states, UPS requires a signature for anything over $200, not to mention that anything over $200 is defined as grand theft, as well as credit fraud. Get caught doing this, and you will bite it for a couple of years. Good luck! First compiled in JRII.. -= Exodus =-_ Making Plastic Explosives from Bleach by The Jolly Roger Potassium chlorate is an extremely volatile explosive compound, and has been used in the past as the main explosive filler in grenades, land mines, and mortar rounds by such countries as France and Germany. Common household bleach contains a small amount of potassium chlorate, which can be extracted by the procedure that follows. First off, you must obtain: [1] A heat source (hot plate, stove, etc.) [2] A hydrometer, or battery hydrometer [3] A large Pyrex, or enameled steel container (to weigh chem post was too long read more at your own risk |
| ____________________________________ [Mar 25,2008 3:40pm - RichHorror ""] [QUOTE="Mucko:738712"]Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! Die! post was too long read more at your own risk |
| _______________________________ [Mar 25,2008 3:41pm - Mucko ""] 100 Ways To Disappear And Live Free (C) 1972 Eden Press Revised 1985 Typed by Struct Def For other privacy oriented publications, write EDEN PRESS P.O. BOX 8410 FOUNTAIN VALLEY, CA 92708 INTRODUCTION To "live free" means to be able to control your own life and to avoid violence, or the threat of violence, by others. What you do and how you do it will almost always determine whether or not freedom will be yours. But YOU must take the responsibility for creating your own freedom. No one, especially the "government" will do it for you. To "disappear" means to make it impossible for other people to invade your personal world of freedom. Since most of such invasion is by means of electronic data gathering and cross-referencing, you must be able to short-circuit these procedures effectively. The most efficient method today is through the use of what we call "alternate identification". If the new names and numbers you plug into the networks don't match the old ones, you have not only "disappeared", but have also been "reborn". And being reborn means leaving your past records where they can no longer affect you and your lifestyle. This "disappearing" of individuals is obviously discomforting to institutions and governments determined to control personal activities in the Land of the Free. To them it appears downright seditious, since in reality their power depends directly on the number of people they can control -- through computerized records, of course. To those who actually "disappear", however, the act is one of tremendous personal liberation. Free men owe very little to those who restrict opportunities on the basis of past records. An extreme example, which nevertheless applies to all of us, is this: When a person convicted of a felony has served his full sentence, is he then "free"? Hardly. What he will experience is really a LIFE SENTENCE of second-rate opportunity. And what happens to the convict, in practice, happens to *everyone* who manages to have negative personal information placed in his "records". When it comes to the point of a person's having to live with a condemning past and ever- narrowing opportunities, it becomes easily understandable why he should be willing and anxious to scuttle his labeled identity and take on another. Becoming a new identity, however, involves many things and requires careful attention to detail, as we shall show. At the heart of this process, though, is the ATTITUDE a person must assume if he is to make it work. He must forget about his "government"; he must become his own government, answerable only to himself, with his own rules, laws, and systems of behavior. This is an existential "moment" few are disciplined enough to experience, but it can be done. The result will be a growing detachment from BIG BROTHER and a correspoding increase of personal freedom. The individual needn't worry about what would happen "if everybody else did this" because they WON'T. The object is for individuals, acting as individuals, to declare their mental independence from whatever System is attempting to enslave them. As individuals they are the best judges of what degree of slavery they can accept, how far down the road they can go before becoming robots for BIG BROTHER. Simply put, it's the Sheep and the Wolves. The Sheep go to slaughter, the Wolves wherever they wish... There are numerous intermediate tactics between total compliance and complete disappearance, such as refusing to give your Social Security number (or giving it incorrectly), avoiding taxes, obtaining several foreign citizenships and passports, setting up bank accounts in several other countries, and planning at least two routes of escape to other countries, but in the end you will discover there really is no freedom in the world -- *YOU MUST CREATE YOUR OWN*. You must learn how to protect your own rights as you define them. No one else will do it for you, *NO ONE*. The object of this publication is to suggest ways an individual can, in practice, escape his past and secure a new future, *on his own terms*. Individuals will vary greatly in how they carry out their disappearances, and it is our hope that the ideas we present here are useful towards those ends. We make no claims of completeness or of exhausting the subject, as that could be potentially dangerous were individuals to rely solely on this information. We must stress that everyone should think over his situation as carefully as possible, and then pick and choose which among our methods are best suited for his needs. Above all, he must begin using his head, trusting his hunches and instincts, and thinking of himself as separate, different, and even superior to those stuck in the System. He will have to become a Wolf. He must stand alone to be free. --Barry Reid January 1978 II. LIVING FREE Avoid attending church. If you must, however, use an alias when attending, and make contributions in cash, never by check. If you are asked by inquisitive neighbors what church you attend, either name one of a different faith than theirs or deny interest completely. Give the minister totally false information about yourself, as these good folks are great gossips when approached by snoops. Never tell neighbors where or for whom you work. Give them false information on this subject. If you are paid by check, DON'T deposit the paycheck in any account with your name on it. The best idea is to go to the bank on which it is drawn and cash it there. If you make a regular practice of this, avoid becoming familiar with any tellers or other bank personnel. Vary the times and days for visiting the bank. Visit different branches of the bank, too. Another check cashing tip: avoid getting it cashed at your favorite bar or tavern. FBI agents probably spend at least a third of their working hours hanging around such places, as they seem to attract the kinds of people they are looking for. Anytime there is a bank robbery, the *first* places the FBI check out are all the bars within the immediate vicinity of the robbery. Don't laugh. It's true because it works. Be wary of answering "personal" ads in newspapers, as well as job offers too neatly tailored to the type of work you did before disappearing. If the ad calls for replying to a box number at the newspaper, disregard totally: it's very likely to be a trap. Reply only to ads that can guarantee not having to give yourself away, such as offers for appointments at known companies. If phone numbers are provided in the ad, call only from a pay phone. There's always a possibility you might be calling directly to a bill collector or private investigator who will give you enough patter to smoke you out. For some really unique ways to find employment, Eden Press distributes "HOW TO STEAL A JOB", literally every dishonest way there is to gain honest employment. With the techniques in this book, YOU can call all the shots. Well worth reading even for those who already have a job, too. Someone could be gunning you. This book will open your eyes. On the job, avoid giving background information to fellow workers. If you're planning to stay on the job only for a short while, however, make an effort to plant false and misleading information in the minds of the other workers, such as your favorite pastimes, places you'd like to travel to or live someday, and your plans for the future. Insulate your private self by keeping your personal interests and ideas to yourself alone. Share the spurious with the curious. Don't subscribe to any local newspapers delivered by carriers. Buy what you need at a newsrack. These cute kids have sometimes been "helpful" sources of information about people's habits at home. Don't be obvious in your living habits. Turn lights off at a decent hour, keep stereo music from annoying neighbors, don't place empty pony kegs on the front porch, and don't have pets that stray or annoy. Don't do major engine overhauls in the driveway, either. Be very careful about who comes to see you at your residence. Avoid anything unusual which might spark the interest of neighbors. If what you do or the people with whom you must deal are "interesting", it might be best to arrange get-togethers elsewhere. Keep your nest clean--good "criminal" advice. Avoid using banks except for actually cashing checks given you by other people. Try to conduct your affairs with cash and money orders. When using the latter, never write your name on the face or the line marked "Payer". Use fake names, account numbers, or business names. For most purposes money orders can be considered "untraceable", since the issuing institutions (American Express, banks, US Post Office) file the paid orders *by number only*, not by other criteria which might tend to give you away. People and businesses to whom you might remit money orders virtually never record this number, either. They are usually happy to be paid by money order and will consider it the same as cash. Individuals wanting to hide income and/or otherwise disguise their financial dealings find money orders most useful in shortchanging the bandits at IRS, too. Undertakers are another source like ministers, in that they are good talkers. If you have to deal with one, be on your guard with what you tell him. If you are called on to provide information for a death certificate, give him only the data he actually needs. It should be easy to appear too grief-stricken to want to chat... Whenever you need the services of a physician, dentist, hospital, etc., make it standard practice to use an alias and an address other than where you live. Pay in cash. Recite--don't display--your "driver's licence" number and Social Security Number, making sure that they are totally fake. Other data requested, such as employer, birthdate, etc., should be misleading. Ignore the "warning" at the top of some hospital forms that federal law requires honest information. We've never heard of anyone getting busted for such a "crime" who also paid his bill. Fraud is fraud, but identity is your business. Medical records are very definitely NOT confidential. How else would life and health insurance companies be able to decide so imperiously who "deserves" their coverage, and at what rates...? For most people, medical insurance itself is a fraud. Don't have milk or other items delivered to you on a regular schedule. The fewer people seen calling at you residence, the safer. Neighbors will often notice home deliveries, which can prove to be fertile leads for future snoops. Avoid membership in political groups or other civic organizations. As a rule these groups are filled with super sneaky, nosey individuals more willing than not to stab someone in the back if it suits their selfish purposes. Total snakes. Arrange to have your mail sent to a 24-hour Post Office box, to a mail drop, or a mail forwarding service. This way the only mail to be left at your residence will be the "Occupant" variety. Make it a rule NEVER to sign for certified or registered mail. Tell the carrier that you are not the person named on the receipt, or that so-and-so moved months ago. Where? Austria..... or was it Australia? Avoid having arguments or run-ins with neighbors. An old, unresolved grudge might be just the spark that sends an investigator to your new location. "Getting even" is a passion few people can resist. If a snoop is trying to trace you by telephone he may invite you to call him person-to-person collect. *DON'T DO IT.* Ignore the request, no matter what the excuse is. You might be tempted with some pie-in- the-sky lie, but what he's really after is your *location*. If you don't give yourself away in the conversation, he will simply call the operator back for time and charges, and while she's at it, the location of the telephone originating the call. She will be only too happy to help. If you have to live in a motel, hotel, or nosey apartment complex, always make it a point to be ordinaty and outwardly polite to any employees on the premises. Give them no reason to remember you other than as a normal person. Freaky behavior is easily noticed and remembered by telephone operators, janitors, maids, superintendents, house detectives, and bell boys. Tips make them TALK, too. It's safest not to take in roomers or boarders, even though they can help with expenses and provide companionship. The fact is, they can get "too close" to you by picking up all kinds of information tidbits which could come back to haunt you should certain kinds of third parties start pumping them. Even though you might feel you could trust them, it's very easy for a friend to give you away... innocently. In changing to a new identity within the same general area, make it your policy to patronize none of the commercial establishments you did before your name change. This would include service-oriented businesses, too, such as shoe repairs, TV repairs, photographers, cleaners, poodle parlors and massage parlors. If you or a member of your family had been assisted by such charity organizations as the March of Dimes or Community Chest, make sure that future aid is obtained from some other organization. If you need to have prescriptions filled often, do two things: 1) Have them filled by different pharmacies; don't patronize the same one repeatedly, and, 2) Never give the pharmacist your correct address and/or telephone number. If you are in need of continuing prescription, such as for certain heart conditions or diabetes, consider having it filled by mail from one of the large interstate mail-order pharmacies. These outfits usually offer greatly reduced prices as well, as they are willing to deal in generics, as opposed to strictly name-brand drugs. Check 'em out. Try to avoid all contact with law enforcement people. They are like sponges whenever they deal with the public: they take in endless quantities of information whether you are the victim or the perpetrator. When approached by investigators and spies, they just love to spill out all they know, and sometimes get in on the act themselves. Avoid trouble and avoid cops. Credit bureaus and department stores will have credit files on you if you've used them in the past. It would be safest to avoid using credit in the future, but if you need to get plugged back in the credit scene, it would be advisable first to read our own book, "CREDIT", to see how credit can be set up from scratch under new identity. This useful book has the kind of inside information one needs to make the credit- granting system perform to his special situation. If you follow our suggestions regarding delivery of your mail, you will naturally never accept any Registered or Certified mail at your address. Since the carrier will never know your identity by leaving only mail addressed "Occupant", you can safely tell him who you are not whoever is named on the piece of mail he is trying to deliver. Don't be rude or arrouse suspicion; simply help him do his job by telling him there is no such person at your address. If he asks who *you* are, he's out of line. He will return the letter marked "Unable to Deliver at this Address", or "Unknown at this Address", or something else to the same effect. Sometimes snoops will address mail to a fictitious person "care of" your last known name and address in the hopes it will be forwarded (somehow), and that you will have the stupidity to return it to them with your new address (provided by you). Any suspicious or unfamiliar mail with your new address should simply be marked "Unknown", "Return to Sender", etc., and deposited in a public mail box for return. If the letter doesn't come back to the sender because you kept it or chucked it, he may well try again with something more enticing, or even pay a personal visit. Tracing by mail is the cheapest route for snoopers, so be on the lookout for any mail you're not expecting or seems the slightest bit suspicious. This will be the opening salvo in any investigation to determine your whereabouts. *Watch your mail!* Providing any information other that return instructions per above can invite disaster, too. Putting on a fake forwarding address, or even a "General Delivery" notice, will tell the sender, when the letter is returned, that *someone* at the address on the letter knows more than he does. The "Registered Letter", physical surveillance, or a personal visit will be his next move. You can count on it. Be especially watchful for any letters with an "Attorney's" return address. They deserve no more respect than any other letter. If you're not expecting correspondence from your own attorney, it's very likely a fake name used by an investigator. This gambit is many times used on third parties (close relatives of yours) in the hopes they know where you really are and that they have the "courtesy" to forward the letter to you. This is a good reason for you NOT to tell relatives where you can be reached. If they don't know, they can't tell. If you can trust a particular person to forward items to your P.O. box or mail forwarding service, at least instruct them to place the letter in another (cover) envelope so that no forwarding instructions are on the face of the original envelope. You can decide what to do with the mail when you get it. If you want it returned, do NOT drop it in a box in your area--the stamp of the main post office near you will likely be on the envelope, much to the glee of the sender. Either send it back to your friend in still another envelope for him to remail locally, or use a mail forwarding service in a distant city to remail per your instructions. Again, *BE CAREFUL WITH YOUR MAIL*. Knowing how to deal with your mail is vital to disappearing. Think first before acting!! Avoid drawing attention to yourself. Don't exhibit "socially unacceptable" behavior PUBLICLY. Cops are programmed to bust anyone who appears "suspicious" (different from them). Jails, psycho wards, and prisons aren't exactly "free".... Your appearance, possessions and actions should always justify your presence on a legitimate (conventional) basis. This is the best way to avoid suspicion. If you are stopped and questioned, always be able to give a reasonable explanation of why you where there, where you are from, and where you are going. Smile and be "helpful". A sullen or hostile attitude triggers the cops for a bust--your bust. So go ahead and "Kill the Pigs"--with kindness. You'll win by keeping your freedom, dig? Even perfectly legal behavior can arouse suspicion. Avoid such things as solitary walks late at night, or wearing clothing inappropriate for the weather. Store detectives love to follow shoppers wearing oversized clothing, too. The police find it easy, even entertaining, to pin stray raps on such "suspicious" characters. Days and weeks can go by before they decide they've made a "mistake". Really!! Examine your daily habits and eliminate any which might possibly be regarded as "peculiar", especially if performed publicly. Live in a large city where you can have the protection of anonymity. Avoid small towns where the only sport is gossip--about you. Your business should be no one else's. Appear to be lower-middle class in your standard of living. Don't attract the attention given the very poor or the obviously well-off. Rent a house or apartment that appears "respectable", but no more plush than the average cop can afford. If you like to live it up, do it somewhere other than around where you live and work. Try Las Vegas, New York, Jamaica, Tokyo, Fiji.... ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MAY WE RECOMMEND...? If you're looking for those proverb post was too long read more at your own risk |
| _______________________________ [Mar 25,2008 3:41pm - Mucko ""] STEAL THIS BOOK By Abbie Hoffman Dedicated to Jerry Lefcourt, Lawyer and Brother Library of Congress number 72-157115 (stolen from Library of Congress) copyright ©1971 PIRATE EDITIONS TABLE OF DISCONTENTS INTRODUCTION AIDING AND ABETTING SURVIVE! 1. FREE FOOD Restaurants Food Programs Supermarkets Wholesale Markets Food Conspiracies Cheap Chow 2. FREE CLOTHING AND FURNITURE Free Clothing Sandals Free Furniture 3. FREE TRANSPORTATION Hitch-Hiking Freighting Cars Buses Airlines In City Travel 4. FREE LAND 5. FREE HOUSING Communes Urban Living Rural Living List of Communes 6. FREE EDUCATION List of Free Universities 7. FREE MEDICAL CARE Birth Control Clinics Abortions Diseases Treated Free 8. FREE COMMUNICATION Press Conference Wall Painting Use of the Flag Radio Free Telephones Pay Phones 9. FREE PLAY Movies and Concerts Records and Books 10. FREE MONEY Welfare Unemployment Panhandling Rip-Offs The International Yippie Currency Exchange 11. FREE DOPE Buying, Selling and Giving It Away Growing Your Own 12. ASSORTED FREEBIES Laundry Pets Posters Security Postage Maps Ministry Attrocities Veteran's Benefits Watch Vacations Drinks Burials Astrodome Pictures Diploma Toilets FIGHT! 1. TELL IT ALL, BROTHERS AND SISTERS Starting a Printing Workshop Underground Newspapers High School Papers G.I. Papers News Services The Underground Press Switchboards 2. GUERRILLA BROADCASTING Guerrilla Radio Guerrilla Television 3. DEMONSTRATIONS Dress Helmets Gas Masks Walkie-Talkies Other Equipment 4. TRASHING Weapons for Street Fighting Knife Fighting Unarmed Defense General Strategy Rep 5. PEOPLE'S CHEMISTRY Stink Bomb Smoke Bomb CBW Molotov Cocktail Sterno Bomb Aerosol Bomb Pipe Bombs General Bomb Strategy 6. FIRST AID FOR STREET FIGHTERS What to Do Medical Committees 7. HIP-POCKET LAW Legal Advice Lawyer's Group Join the Army of Your Choice Canada, Sweden & Political Asylum 8. STEAL NOW, PAY NEVER Shoplifting Techniques On the Job Credit Cards 9. MONKEY WELFARE 10. PIECE NOW Handguns Rifles Shotguns Other Weapons Training Gun Laws 11. THE UNDERGROUND Identification Papers Communication LIBERATE! 1. FUCK NEW YORK 2. FUCK CHICAGO 3. FUCK LOS ANGELES 4. FUCK SAN FRANCISCO INTRODUCTION It's perhaps fitting that I write this introduction in jail- that graduate school of survival. Here you learn how to use toothpaste as glue, fashion a shiv out of a spoon and build intricate communication networks. Here too, you learn the only rehabilitation possible-hatred of oppression. Steal This Book is, in a way, a manual of survival in the prison that is Amerika. It preaches jailbreak. It shows you where exactly how to place the dynamite that will destroy the walls. The first section-SURVIVE!-lays out a potential action program for our new Nation. The chapter headings spell out the demands for a free society. A community where the technology produces goods and services for whoever needs them, come who may. It calls on the Robin Hoods of Santa Barbara Forest to steal from the robber barons who own the castles of capitalism. It implies that the reader already is "ideologically set," in that he understands corporate feudalism as the only robbery worthy of being called "crime," for it is committed against the people as a whole. Whether the ways it describes to rip-off shit are legal or illegal is irrelevant. The dictionary of law is written by the bosses of order. Our moral dictionary says no heisting from each other. To steal from a brother or sister is evil. To not steal from the institutions that are the pillars of the Pig Empire is equally immoral. Community within our Nation, chaos in theirs; that is the message of SURVIVE! We cannot survive without learning to fight and that is the lesson in the second section. FIGHT! separates revolutionaries from outlaws. The purpose of part two is not to fuck the system, but destroy it. The weapons are carefully chosen. They are "home-made," in that they are designed for use in our unique electronic jungle. Here the uptown reviewer will find ample proof of our "violent" nature. But again, the dictionary of law fails us. Murder in a uniform is heroic, in a costume it is a crime. False advertisements win awards, forgers end up in jail. Inflated prices guarantee large profits while shoplifters are punished. Politicians conspire to create police riots and the victims are convicted in the courts. Students are gunned down and then indicted by suburban grand juries as the trouble-makers. A modern, highly mechanized army travels 9,000 miles to commit genocide against a small nation of great vision and then accuses its people of aggression. Slumlords allow rats to maim children and then complain of violence in the streets. Everything is topsy-turvy. If we internalize the language and imagery of the pigs, we will forever be fucked. Let me illustrate the point. Amerika was built on the slaughter of a people. That is its history. For years we watched movie after movie that demonstrated the white man's benevolence. Jimmy Stewart, the epitome of fairness, puts his arm around Cochise and tells how the Indians and the whites can live in peace if only both sides will be reasonable, responsible and rational (the three R's imperialists always teach the "natives"). "You will find good grazing land on the other side of the mountain," drawls the public relations man. "Take your people and go in peace." Cochise as well as millions of youngsters in the balcony of learning, were being dealt off the bottom of the deck. The Indians should have offed Jimmy Stewart in every picture and we should have cheered ourselves hoarse. Until we understand the nature of institutional violence and how it manipulates values and mores to maintain the power of the few, we will forever be imprisoned in the caves of ignorance. When we conclude that bank robbers rather than bankers should be the trustees of the universities, then we begin to think clearly. When we see the Army Mathematics Research and Development Center and the Bank of Amerika as cesspools of violence, filling the minds of our young with hatred, turning one against another, then we begin to think revolutionary. Be clever using section two; clever as a snake. Dig the spirit of the struggle. Don't get hung up on a sacrifice trip. Revolution is not about suicide, it is about life. With your fingers probe the holiness of your body and see that it was meant to live. Your body is just one in a mass of cuddly humanity. Become an internationalist and learn to respect all life. Make war on machines, and in particular the sterile machines of corporate death and the robots that guard them. The duty of a revolutionary is to make love and that means staying alive and free. That doesn't allow for cop-outs. Smoking dope and hanging up Che's picture is no more a commitment than drinking milk and collecting postage stamps. A revolution in consciousness is an empty high without a revolution in the distribution of power. We are not interested in the greening of Amerika except for the grass that will cover its grave. Section three - LIBERATE! - concerns itself with efforts to free stuff (or at least make it cheap) in four cities. Sort of a quick U.S. on no dollars a day. It begins to scratch the potential for a national effort in this area. Since we are a nation of gypsies, dope on how to move around and dig in anywhere is always needed. Together we can expand this section. It is far from complete, as is the entire project. Incomplete chapters on how to identify police agents, steal a car, run day-care centers, conduct your own trial, organize a G.I. coffee house, start a rock and roll band and make neat clothes, are scattered all over the floor of the cell. The book as it now stands was completed in the late summer of 1970. For three months manuscripts made the rounds of every major publisher. In all, over 30 rejections occurred before the decision to publish the book ourselves was made, or rather made for us. Perhaps no other book in modern times presented such a dilemma. Everyone agreed the book would be a commercial success. But even greed had its limits, and the IRS and FBI following the manuscript with their little jive rap had a telling effect. Thirty "yeses" become thirty "noes" after "thinking it over." Liberals, who supposedly led the fight against censorship, talked of how the book "will end free speech." Finally the day we were bringing the proofs to the printer, Grove consented to act as distributor. To pull a total solo trip, including distribution, would have been neat, but such an effort would be doomed from the start. We had tried it before and blew it. In fact, if anyone is interested in 4,000 1969 Yippie calendars, they've got a deal. Even with a distributor joining the fight, the battle will only begin when the books come off the press. There is a saying that "Freedom of the press belongs to those who own one." In past eras, this was probably the case, but now, high speed methods of typesetting, offset printing and a host of other developments have made substantial reductions in printing costs. Literally anyone is free to print their own works. In even the most repressive society imaginable, you can get away with some form of private publishing. Because Amerika allows this, does not make it the democracy Jefferson envisioned. Repressive tolerance is a real phenomenon. To talk of true freedom of the press, we must talk of the availability of the channels of communication that are designed to reach the entire population, or at least that segment of the population that might participate in such a dialogue. Freedom of the press belongs to those that own the distribution system. Perhaps that has always been the case, but in a mass society where nearly everyone is instantaneously plugged into a variety of national communications systems, wide-spread dissemination of the information is the crux of the matter. To make the claim that the right to print your own book means freedom of the press is to completely misunderstand the nature of a mass society. It is like making the claim that anyone with a pushcart can challenge Safeway supermarkets, or that any child can grow up to be president. State legislators, librarians, PTA members, FBI agents, church-goers, and parents: a veritable legion of decency and order already is on the march. To get the book to you might be the biggest challenge we face. The next few months should prove really exciting. Obviously such a project as Steal This Book could not have been carried out alone. Izak Haber shared the vision from the beginning. He did months of valuable research and contributed many of the survival techniques. Carole Ramer and Gus Reichbach of the New York Law Commune guided the book through its many stages. Anna Kaufman Moon did almost all the photographs. The cartoonists who have made contributions include Ski Williamson and Gilbert Sheldon. Tom Forcade, of the UPS, patiently did the editing. Bert Cohen of Concert Hall did the book's graphic design. Amber and John Wilcox set the type. Anita Hoffman and Lynn Borman helped me rewrite a number of sections. There are others who participated in the testing of many of the techniques demonstrated in the following pages and for obvious reasons have to remain anonymous. There were perhaps over 50 brothers and sisters who played particularly vital roles in the grand conspiracy. Some of the many others are listed on the following page. We hope to keep the information up to date. If you have comments, law suits, suggestions or death threats, please send them to: Dear Abbie P.0. Box 213, Cooper Station, New York, NY 10003. Many of the tips might not work in your area, some might be obsolete by the time you get to try them out, and many addresses and phone numbers might be changed. If the reader becomes a participating researcher then we will have achieved our purpose. Watch for a special edition called Steal This White House, complete with blueprints of underground passages, methods of jamming the communications network and a detailed map of the celebrated room where according to Tricia Nixon, "Daddy loves to listen to Mantovanni records, turn up the air conditioner full blast, sit by the fireplace, gaze out the window to the Washington Monument and meditate on those difficult problems that face all the peoples of this world." December, 1970 Cook County Jail Chicago "FREE SPEECH IS THE RIGHT TO SHOUT 'THEATER' IN A CROWDED FIRE." - A YIPPIE PROVERB AIDING AND ABETTING Tim Leary, Tom, Geronimo, Pearl Paperhanger, Sonny, Pat Solomon, Allan Katzman, Jacob Kohn, Nguyen Van Troi, Susan, Marty, Andy, Ami, Marshall Bloom, Viva, Ben, Oanh, Robin Palmer, Mom and Dad, Janie Fonda, Jerry, Denis, LNS, Bernadine Dohrn, a wall in Harvard Square, Nancy, an anonymous stewardess, Shirley Wonderful, Roz, Gumbo, Janis, Jimi, Dylan Liberation Front, Jeannie, God Slick, John, David, Rusty, Barney, Richard, Denny, Ron Cobb, the entire Viet Cong, Sam Shephard, Ma Bell, Eric, David, Joe, Kim Agnew, the Partridge Family, Carol, Alan Ginsburg, Woman's Lib, Julius Lester, Lenny Bruce, Hack, Billy, Paul, Willy, Colleen, Sid, Johnny Appleseed, the Rat, Craig, Che, Willie Sutton, Wanda, EVO, Jeff, Crazy Horse, Huey, Casey, Bobby, Alice, Mao, Rip, Ed, Bob, Gay Liberation Front, WPAX, Frank Dudock, Manny, Mungo, Lottie, Rosemary, Marshall, Rennie, Judy, Jennifer, Mr. Martin, Keith, Madame Binh, Mike, Eleanor, Dr. Spock, Afeni, Candice, the Tupamaros, Berkeley Tribe, Gilbert Sheldon, Stanley Kubrick, Sam, Anna, Skip Williamson, UPS, Andy Stapp, the Yippies, Richard Brautigan, Jano, Carlos Marighella, the Weathermen, Julius Jennings Hoffman, Quentin, the inmates of TIER A-l Cook County Jail, Houdini, 37, Rosa Luxemberg, the Kent 25, the Chicago 15, the New York 21, the Motor City 3, the Indianapolis 500, Jack, Joan, Malcolm X, Mayakovsky, Dotson, R. Crumb, Daniel Clyne, Justin, The FBI Top 10 (now 16), Unis, Dana, Jim Morrison, Brian, John, Gus, Ruth, Nancy Unger, Pun, Jomo, Peter, Mark Rudd, Billy Kunstler, Genie, Ken, the Law Commune, Paula, Robby, Terry, Dianna, Angela, Ted, Phil, Jefferson Airplane, Len, Tricky Prickers, the Berrigans, Stu, Rayanne, J.B., Jonathan Jackson, the Armstrong Brothers, Homer, Sharon, Fred Hampton, Jean Jacques Lebel, A. H. Maslow, Hanoi Rose, Sylvia, Fellini, Amaru, Ann Fettamen, Artaud, Bert, Merrill, Lynne, and last but not least to Spiro what's his name who provided the incentive. SURVIVE! FREE FOOD RESTAURANTS In a country such as Amerika, there is bound to be a hell-of-a-lot food lying around just waiting to be ripped off. If you want to live high off the hog without having to do the dishes, restaurants are easy pickings. In general, many of these targets are easier marks if you are wearing the correct uniform. You should always have one suit or fashionable dress outfit hanging in the closet for the proper heists. Specialized uniforms, such as nun and priest garb, can be most helpful. Check out your local uniform store for a wide range of clothes that will get you in, and especially out, of all kinds of stores. Every movement organization should have a prop and costume department. In every major city there are usually bars that cater to the New Generation type riff-raff, trying to hustle their way up the escalator of Big Business. Many of these bars have a buffet or hors-d'oeuvres served free as a come-on to drink more mindless booze. Take a half-empty glass from a table and use it as a prop to ward off the anxious waitress. Walk around sampling the free food until you've had enough. Often, there are five or six such bars in close proximity, so moving around can produce a delightful "street smorgasbord." Dinner usually begins at 5:00 PM. If you are really hungry, you can go into a self-service cafeteria and finish the meal of someone who left a lot on the plate. Self-service restaurants are usually good places to cop things like mustard, ketchup, salt, sugar, toilet paper, silverware and cups for home use. Bring an empty school bag and load up after you've cased the joint. Also, if you can stomach the food, you can use slugs at the automat. Finishing leftovers can be worked in even the fanciest of restaurants. When you are seated at a place where the dishes still remain, chow-down real quick. Then after the waitress hands you the menu, say you have to meet someone outside first, and leave. There are still some places where you can get all you can eat for a fixed price. The best of these places are in Las Vegas. Sew a plastic bag onto your tee-shirt or belt and wear a loose-fitting jacket or coat to cover any noticeable bulge. Fried chicken is the best and the easiest to pocket, or should we say bag. Another trick is to pour your second free cup of hot coffee into the plastic bag sewed inside your pocket and take it with you. At large take-out stands you can say you or your brother just picked up an order of fifteen hamburgers or a bucket of chicken, and got shorted. We have never seen or heard of anybody getting turned down using this method. If you want to get into a grand food heist from take-out stands, you can work the following nervy bit: from a pay phone, place an order from a large delivery restaurant. Have the order sent to a nearby apartment house. Wait a few minutes in the booth after you've hung up, as they sometimes call back to confirm the order. When the delivery man goes into the apartment house to deliver the order, you can swipe the remaining orders that are still in his truck. In fancy sit-down restaurants, you can order a large meal and halfway through the main course, take a little dead cockroach or a piece of glass out of your pocket and place it deftly on the plate. Jump up astonished and summon the headwaiter. "Never have I been so insulted. I could have been poisoned" you scream slapping down the napkin. You can refuse to pay and leave, or let the waiter talk you into having a brand new meal on the house for this terrible inconvenience. In restaurants where you pay at the door just before leaving, there are a number of free-loading tricks that can be utilized. After you've eaten a full meal and gotten the check, go into the restroom. When you come out go to the counter or another section of the restaurant and order coffee and pie. Now you have two bills. Simply pay the cheaper one when you leave the place. This can be worked with a friend in the following way. Sit next to each other at the counter. He should order a big meal and you a cup of coffee. Pretend you don't know each other. When he leaves, he takes your check and leaves the one for the large meal on the counter. After he has paid the cashier and left the restaurant, you pick up the large check, and then go into the astonishment routine, complaining that somebody took the wrong check. You end up only paying for your coffee. Later, meet your partner and reverse the roles in another place. In all these methods, you should leave a good tip for the waiter or waitress, especially with the roach-in-the-plate gambit. You should try to avoid getting the employees in trouble or screwing them out of a tip. One fantastic method of not only getting free food but getting the best available is the following technique that can be used in metropolitan areas. Look in a large magazine shop for gourmet digests and tourist manuals. Swipe one or two and copy down a good name from the masthead inside the cover. Making up a name can also work. Next invest $5.00 to print business cards with the name of the magazine and the new "associate editor." Call or simply drop into a fancy restaurant, show a copy of the mag post was too long read more at your own risk |
| _______________________________ [Mar 25,2008 3:47pm - Mucko ""] [FONT=XXL]1 55 Ways to Have Fun With Google A cabinet of search engine curiosities, riddles, games, and a little bit of usefulness You can order the book at www.55fun.com Philipp Lenssen 55 Ways to Have Fun With Google 2 55 Ways to Have fun With Google by Philipp Lenssen. First edition 2006. Released under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 License (see http://creativecommons.org/licenses/by-nc-sa/2.0/ for more). You are free: • to copy, distribute, display, and perform the work • to make derivative works Under the following conditions: By Attribution. You must attribute the work in the manner specified by the author or licensor. Noncommercial. You may not use this work for commercial purposes. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. • For any reuse or distribution, you must make clear to others the license terms of this work. • Any of these conditions can be waived if you get permission from the copyright holder. Your fair use and other rights are in no way affected by the above. 3 On a spring day you can find your way to a little flower garden where the Googleheads play You know they’re there by the clothes they wear And their Googlehead faces and their Googlehead hair. ‘Cause they’re the Googleheads They shake their doodleheads They’re the goo-ga-goo-ga-goo-gah Googleheads. – Laurie Berkner 55 Ways to Have Fun With Google 4 Contents Introduction .....................................................................................8 1. Egogoogling: Susan Is…..............................................................9 2. The Google Snake Game............................................................ 15 3. Memecodes: Survival of the Fittest Web Pages ......................... 16 4. The Google Irritation Game, and the Google Image Quiz........ 19 5. Googling Proverbs......................................................................20 6. Browsing Images of a Site..........................................................24 7. A Brief History of Googlesport...................................................25 8. What is Google, and what do people consider fun about it?......32 9. How Much Time Google Saves Us ............................................37 10. Google Cookin’ a Lemon Chicken............................................40 11. Douglas Adams and the Google Calculator.............................. 41 12. Oops, I Googled Again .............................................................42 13. The Disappearing Google Logo, a Magic Trick ......................45 14. Fun With Google Maps, the Wiki Way .....................................46 15. Dave Gorman’s Googlewhack .................................................. 51 16. Google Q&A .............................................................................54 17. Celebrate Google Non-Weddings, and More ...........................56 18. Design Your SketchUp Dream House .....................................58 19. Kevin Bacon and the Google Network .....................................59 20. The Google Alphabet................................................................62 5 21. Google Search Tips...................................................................63 22. Googlepark ...............................................................................66 23. Googleshare ..............................................................................76 24. The Shortest Google Search (and the One Returning the Most Results) ....................................................................................79 25. Google Rotated and Mini Google.............................................80 26. The Google Quiz: How Much Do You Know About Google? .82 27. Recreate Google From Memory ...............................................86 28. The Strange World of Google News......................................... 91 29. Aliens Attack Google! ............................................................. 100 30. Top Ten Signs You Are Addicted to Google.......................... 102 31. Dig a Hole Through Earth ..................................................... 103 32. Googlebombing...................................................................... 105 33. Google Ads Gone Wrong ........................................................ 109 34. Life in the Age of Google.........................................................114 35. Google Hacking.......................................................................118 36. Googlepolls: Ask the Crowd ....................................................121 37. Googlefights.............................................................................131 38. What If Google Was Evil? Plus: Five Inventions of the Google Future..................................................................................... 133 39. The Google Adventure Game................................................. 150 40. Egobot, Voice of the Web........................................................151 41. Fun Google Gadgets ............................................................... 154 42. Forty-Two, or: A Science-Fiction Interlude ........................... 160 55 Ways to Have Fun With Google 6 43. The Google Book of World Records....................................... 175 44. Spelling Errors Galore ............................................................ 180 45. Google Groups, Time Machine.............................................. 182 46. Growing a Google Word ......................................................... 188 47. Most Popular Words, and PopSents....................................... 190 48. Create Google Poetry, Prose, and Collages ............................ 195 49. Funny Google Videos ............................................................. 203 50. The Realplayer Fish, or: Telling a Story in Synonyms ........... 207 51. Google Parodies...................................................................... 210 52. The Google Images Prediction Trick..................................... 217 53. Fun With Google Translations ............................................... 218 54. The Giant Google Painting..................................................... 219 55. Googledromes......................................................................... 224 Acknowledgments........................................................................ 225 Glossary........................................................................................ 226 7 55 Ways to Have Fun With Google 8 Introduction This book, in a way, is born out of my daily weblog “Google Blogoscoped” (blog.outer-court.com) and those who read it. Since 2003 I’ve been writing there covering all things Google – not just the fun stuff, but news, discussion, interviews, tutorials, and everything beyond with a relation to search engines. Thanks to those reading along and providing pointers or feedback, I’ve been able to discover more interesting pages and get to know more interesting people around the world than ever before. When I think of Google, first and foremost I think of its role to discover knowledge, people, and people’s thoughts. Search engines are truly one of the first emergents of a global brain, and in good tradition of Gutenberg’s inventions in the technology of printing, of the invention of the internet, and later the invention of the World Wide Web. All those bring us closer together by speeding up the rhythm in which we communicate. So there we have it, for the first time in history: search, the key to instant knowledge. And what do we do with it? Silly things. OK, not exclusively. But silliness is a part of it. People googlewhack, googlebomb, or egogoogle. People create parodies of Google. They create search engine contests. Magic tricks, riddles and art based on Google. They have a lot of fun with Google, and get together to play games on top of Google services. Even Google Inc themselves send out April Fool’s jokes every year, and celebration logos many times a year. Oh, humanity! But behind many of the playful creations surrounding that giant Google toy, there are serious lessons to be learned. Of the 55 ways to have fun with Google presented here, some ways indeed teach us something; about life, Google, and how to become a better searcher. And the rest of the ways? Well, seriously, they’re really just there to have fun. And I hope you enjoy! 1. Egogoogling: Susan Is… 9 1. Egogoogling: Susan Is… Have you ever searched for your own name on Google, curious what the world has to say about you? Almost everyone of us did, one time or another. In fact, you should – maybe others search for you all the same, and you want to know what they will find. The act of searching for yourself is also known as “egogoogling.” Here’s a variant of it which can be a fun game. Enter your first name followed by the word “is” into Google, and put the search in quotes. For example, if your name is Susan, the search would look like this: “susan is” Now in the search result snippets, you will learn a lot of things about you that you didn’t even know! For the name “Susan,” we get the following: Susan is an amazing person to work with! Susan is an ethical woman and is refusing to cooperate Susan is a very attractive young lady (with a boyfriend) who for some reason is always late. Susan is a top Florida residential real estate agent. Susan is a top producer specializing in the ski resort town of Breckenridge, as well as the surrounding area. Not only can you apply this approach to find out more about yourself (or just have a good laugh, actually, as the results are likely to be about another person), you can also use this to find out about celebrities. To do so, enter the full celebrity name followed by the word “is” into Google, and put it in quotes again: “arnold schwarzenegger is” For action movie star Arnie, we get these results: Arnold Schwarzenegger is a very talented man who would make an excellent governor. Arnold Schwarzenegger is falling into a similar spiral. Arnold Schwarzenegger is looking out for voters’ best interests. 55 Ways to Have Fun With Google 10 Arnold Schwarzenegger is a man more familiar with the red carpets of a movie premiere than a white collar business seminar. Arnold Schwarzenegger is terrifying as the “killer cyborg” who “looks like Death rendered in steel.” Arnold Schwarzenegger is The Terminator (T-800). Arnold Schwarzenegger is quickly discovering that life in politics doesn’t always produce the happy endings so common in many of his Hollywood blockbusters. Note that you can use “stars in,” “was born in” and similar glue words instead of “is” to find out almost anything about a celebrity. You can even expand the idea to include things, not people… try searching for “Nikon cameras are” and similar queries. If you don’t have Google near you, here are some popular male and female names with their “egogoogled” results. Male Names Aaron is a monotonic anchor. Adam is a deeply disturbing and depressing film. Alan is AI’s pattern-matching chatbot. Albert is so cute! Andrew is the Patron Saint of Scotland. Anthony is probably the best male vocal out there. Arthur is kind of in a category by itself. Brandon is for the birds. Brian is embarrassed that he needs the extra help in school. Carl is just sitting there in Nashville! Charles is also a coach of AYSO youth soccer, an officer in the PTA of the local elementary school. Christopher is of mixed heritage (Asian-American). Daniel is a natural talent . David is not allowed computer access. Dennis is one of Britain’s best known entrepreneurs. Donald is rarely easy to understand, and people have supposedly heard him say all sorts of risque things. Donald is a Professor in the Department of Psychology. Douglas is “King of California.” Edward is a biological human (not a robot). Edward is coming BACK to television. Eric is featured on guitar and mandolin on the songs Viargra and Gypsy woman. Frank is hilariously funny on what makes us red-staters different from bluestaters (not). Fred is leading the Franklin Templeton Shootout after 2 rounds! 1. Egogoogling: Susan Is… 11 Gary is the editor and compiler of ResourceShelf. George is, quite simply, the worst helpdesk technician ever. Gerald is frightened and doesn’t understand why the woman wants to assist him. Gregory is recognized as one of the very foremost orators. Harold is an original. Henry is currently in jail. Jack is looking for a house with about half an acre of land to buy in California. James is as forthright as an Old Testament prophet. Jason is who the JASON Project is named after. Jeffrey is helping to clear up this cosmic murkiness. Jeremy is a conscientious worker who can usually be relied upon. Jerry is a master at understanding your goals for the photograph and then creating the perfect lighting. Joe is “LIVE” daily. John is succeeding marvelously in journalism’s highest calling: to encourage people . Jonathan is writing a magical fable of his grandfather’s village in Ukraine. Joseph is the Special Assistant to the President and Senior Director. Joshua is home now. Juan is similar to the one at the top of this page. Justin is practicing walking on his hands. Keith is a true character who comes across as being very sincere. Kenneth is a strong advocate for community building and social change. Kevin is creative director and co-founder at Lightroom. Larry is also a political planner. Lawrence is a New York Real Estate Broker specializing in Putnam. Mark is coauthor of Inside Windows 2000, Third Edition (Microsoft Press). Matthew is believed to have used Mark and the theoretical source. Michael is abandoning the music business to release his songs online for free instead. Patrick is one of the nation’s best young auto racers. Paul is backwards in line and taller than everyone else, again. Peter is a consultant with a distinguished academic track record. Ralph is not beyond fishing around for a philosophical explanation. Raymond is an observer-participant anthropologist in the Internet Richard is often accused of being overly concerned with himself. Robert is an elder in the Presbyterian Church (USA) Roger is approached by a gangling, spotty computer scientist. Ronald is known in more than 100 countries wherever you find McDonald’s restaurants. Ryan is clearly good at her job. Samuel is irresistible. Scott is arguably the most well-known and influential unknown composer. Shawn is now 26 years old, lives in San Diego, enjoys snowboarding, taking trips to Lake. Stephen is working with Marvel to produce a series of comic books. Steve is a DJ in Boston. 55 Ways to Have Fun With Google 12 Steven is writing the same song over and over. Terry is back with his new group, The Society for Truth and Justice. Thomas is still searching Timothy is an accomplished juggler. Walter is now 79 years of age and in excellent health. William is truly “fit for a king.” Female Names Alice is an AIML engine written in C++. Amanda is most known for her role in FOX’s hit TV show “The OC.” Amy is... sniff... sniff... sad about our recent barking on her “Re-name RSS contest.” Angela is absolutely swamped this week! Ann is only a writer – and NOT a private detective. Anna is helping out with the hurricane relief effort. Anne is a storyteller. Barbara is to go to Paddle Sports of Santa Barbara. Betty is distinctively heard singing alongside Michael. Brenda is the mother of 14 children, 12 of whom are adopted. Carolyn is currently training for the next WNBA season. Catherine is a star. Christina is also busy promoting the line of footwear “Skechers.” Christine is red and white. Cindy is in “love with the attention.” Cynthia is still on the border. Debbie is an International Magician. Deborah is pleased to announce two brand-new paintings! Debra is a nationally recognized expert on communication skills. Denise is funny, bright and bubbly. Diana is currently in London, England where she is working on the artwork. ... Diane is steadfast in her mission of marketing and negotiating the terms of the sale. Donna is recording her 2nd CD, "Feels Like Home", which will be released in 2001. Doris is such a great zine. Dorothy is 5 Dinosaur years old, and is very wise for her age. Edith is only meaningful. Elizabeth is just south of the expanding Addo Elephant National Park. Ellen is Africa’s first lady president. Emily is nation’s young poet of the year. Heather is the one with the muscles. Helen is Coming To Town!. Irene: Irene is a wedding and portrait photographer serving parts of New England and New York State. Jane is one of Victorian literature’s rebellious heroines. 1. Egogoogling: Susan Is… 13 Janet is fantastic. Janice is right there on that edge. Jennifer is a genius. Jessica is a joy and a delight that brings happiness to all of us. Josephine is Under Construction! Judith is no mythical personage. Judy is going to still have to answer to a higher authority. Julie is no longer a loner; she, too, learns about being a part of a community. Karen is an experienced tutor in both fiddle and step dance. Katherine is one of two large towns you will come across on the route between Darwin and Alice. Kathleen is foremost a musician. Kathy is married to Rick Hilton, who is the wealthy grandson. Kimberly is married to Johnny. Laura is not a psychologist nor a psychiatrist. Linda is now going to move to the south of Sweden. Lisa is furious with Debbie. Louise is a first-class song, there is no doubting. Margaret is not the enemy. Marie is an accomplished author with an important story to tell. Martha is “free.” Melissa is very open about her past. Michelle is as Michelle does. Nancy is also an award-winning video producer. Nicole is now working hard on a NEW collection of tunes. Pamela is coming into her glory today. Rachel is well on her way to achieving her goals. Rebecca is never seen, and yet she is the main character. Ruth is a member of the American Immigration Lawyers Association. Sandra is the fourth woman to win it all, compared to only three men. Sara is right. Yes, it is true. Sarah is still in the studio working. Sharon is expected to decide this weekend. Sherry is a type of wine originally produced in and around the town of Jerez. Stephanie is so afraid of germs, she can’t stop washing her hands. Susan is creative, perceptive, intuitive, and timely. Suzanne is not Sue. Tina is no acronym. Virginia is a five-day bike tour. Wendy is now the only comic featured on the website. 55 Ways to Have Fun With Google 14 (Original cartoon by the US government.) 2. The Google Snake Game 15 2. The Google Snake Game Here’s a party game which needs nothing but a working internet connection (say, a notebook or cell phone), and Google.com’s web search. The goal is to create the longest phrase that Google can find by alternately adding one word to the end of the other player’s search phrase. Say, the first person starts with “Feelings”. Now the second person adds a word, “are”, so we get “Feelings are”... (Note the use of quotation marks in the search query.) Now every time a word is added, the phrase is searched for in Google, and the resulting page count is announced to the group. The one person who creates a sentence with zero results in Google loses and has to do something silly (or if you want to play with points, he loses a point, and the last person who created a sentence with results in Google will win a point). To prevent cheating, the one whose turn is next is not post was too long read more at your own risk |
| _________________________________ [Mar 25,2008 3:50pm - W3 nli ""] these are all great.... but [img] |
| _______________________________ [Mar 25,2008 4:07pm - Mucko ""] Page i Verbal Self-Defense by Lillian Glass, Ph.D. A Division of Macmillan General Reference A Pearson Education Macmillan Company 1633 Broadway, New York, NY 10019 Page ii Copyright© 1999 Lillian Glass, Ph.D. All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. For information, address Alpha Books, 1633 Broadway, 7th Floor, New York, NY 10019-6785. THE COMPLETE IDIOT'S GUIDE name and design are trademarks of Macmillan, Inc. Macmillan Publishing books may be purchased for business or sales promotional use. For information please write: Special Markets Department, Macmillan Publishing USA, 1633 Broadway, New York, NY 10019. International Standard Book Number: 0-02-862741-5 Library of Congress Catalog Card Number: 99-64466 01 00 99 8 7 6 5 4 3 2 1 Interpretation of the printing code: the rightmost number of the first series of numbers is the year of the book's printing; the rightmost number of the second series of numbers is the number of the book's printing. For example, a printing code of 99-1 shows that the first printing occurred in 1999. Printed in the United States of America Note: This publication contains the opinions and ideas of its author. It is intended to provide helpful and informative material on the subject matter covered. It is sold with the understanding that the author and publisher are not engaged in rendering professional services in the book. If the reader requires personal assistance or advice, a competent professional should be consulted. The authors and publisher specifically disclaim any responsibility for any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly, of the use and application of any of the contents of this book. Page iii Alpha Development Team Publisher Kathy Nebenhaus Editorial Director Gary M. Krebs Managing Editor Bob Shuman Marketing Brand Manager Felice Primeau Acquisitions Editor Jessica Faust Development Editors Phil Kitchel Amy Zavatto Assistant Editor Georgette Blau Production Team Development Editor Jessica Faust Production Editor Robyn Burnett Copy Editor Erik Dafforn Cover Designer Mike Freeland Photo Editor Richard H. Fox Illustrator Kevin Spear Book Designer Scott Cook and Amy Adams of Design Lab Indexer Tim Wright Layout/Proofreading Angela Calvert Ellen Considine Page iv CONTENTS AT A GLANCE Part 1: Identifying the Verbally Venomous Opponent 1 1 Identifying the Verbally Venomous Opponent Observe the person from head to toe in a way you never have before. Listen between the lines to what they are really saying through their facial and body language and the sound of their voice. 3 2 Knowing When You've Been Verbally Zapped Translate what is meant by seemingly innocent statements that are really verbal barbs. Take the quiz to see if you've been exposed to verbal abuse. 19 3 Verbal Abusers Are Losers Find out the inner workings of different types of verbal abusers, categorized according to the severity of their abusive behavior. 33 4 Verbal Murder—How and Why? Learn some of the conscious and unconscious reasons for and the consequences of being verbally murdered. 47 Part 2: Preparing to Verbally Defend Yourself 59 5 Analyzing Your Strengths and Weaknesses Learn ways to objectively examine how you come across to others— everything from the way you walk to the way you talk. 61 6 Gaining the Physical Edge Learn techniques for enhancing your image. These will create a more powerful perception of you in others and instill more self-confidence in you. 79 7 Gaining the Verbal Advantage How you sound when you speak cannot be overlooked if you want to win the verbal war. Learn strategies for enhancing the way you speak. 91 8 Communication Skill Defense Just as it is important to sound good in verbal warfare, it is important to 105 say the right thing. Learn the basics of communication that will make others more receptive towards you. 9 Confident Conversation Learn to develop the charisma to attract people, keep them interested, and interact with them in the future. 117 Page v Part 3: Verbal Defense Strategies to Use in Combat 129 10 Verbal Defense Strategies Memorize the verbal self-defense strategies so you can easily call upon a particular strategy in any circumstance. If one doesn't work, you have numerous others from which to choose. 131 11 Letting Them Know They've Overstepped Their Verbal Boundaries Now there is no excuse for being victimized or traumatized by an opponent who intrudes on your territory. You have a bag full of strategies to ward them off. 139 12 When More Powerful Weaponry Is Needed You can accomplish more with your mouth than with your fists. It's okay to get angry, but the consequences of physical violence are too high. 151 13 Enough Is Enough! Knowing When to Retreat Learn how to quickly determine when the verbal battle is finally over. Whether you won or lost, you still need to recoup and regroup. This chapter shows you how to do both. 161 Part 4: Verbal Warfare with Specific People in Your Life 173 14 Gaining the Winning Verbal Edge Between the Sexes Learn the basics of male and female communication. This will help you avoid many common pitfalls responsible for verbal warfare between couples. 175 15 Blood Is Not Always Thicker Than Water! Learn how to converse with various family members to understand their perspectives; if they're just too toxic, learn to get out and save yourself. 191 16 Verbal Warfare with Specific People in Your Life Master the words to use for specific kinds of abusers, so that you will never again be a victim. 203 Part 5: Verbal Combat Against Verbal Abusers 215 17 Verbal Combat Against Annoying Verbal Abusers The 13 types of annoying vermin won't hurt you, just drive you insane. Here are remedies for them. 217 18 Verbal Combat Against Painful Verbal Abusers These eight types of disgusting and obnoxious verbal vermin can literally make you sick. Learn to combat them so that you won't vomit. 229 Page vi 19 Verbal Combat Against Dangerous Verbal Abusers These 11 types of dangerous verbal vermin can inflict emotional, mental, and physical harm upon you. Here are strategies available to help you protect yourself. 239 Part 6: Dodging Verbal Bullets in Specific Battlefields 253 20 Verbal Defense over the Telephone Learn what to say over the telephone to rude and unhelpful people, pests, and those who have bad telephone habits. 255 21 Verbal Self-Defense in Sticky Situations What to say in real-life situations nobody talks about. Topics range from telling someone they have body odor to getting a cheapskate to cough up the money for a bill. 267 22 Verbal Self-Defense in More Difficult Situations How to deal with situations that are even more difficult, because they involve people such as those who are dying or grieving over someone else's death, and those who lie. 281 23 Verbal Self-Defense Can Save Your Life! How to thwart a potential criminal act by knowing what to say and how to say it. You will also learn how to broach the subject of safe sex. 293 24 Verbally Defending YOU Against YOU! What you say about yourself says it all! People who speak well about themselves encourage others to do the same. Be discriminating about what you say about yourself and others. 307 A Resources 319 B To Order Dr. Glass's Products 323 Index 325 Page vii CONTENTS Part 1: Identifying the Verbally Venomous Opponent 1 1 Identifying the Verbally Venomous Opponent 3 Stop, Look, and Listen—Sizing Up Your Opponent 3 20/20 Hindsight 4 Freeze and Focus 5 Reading Between the Lines 5 Telltale Eyes 7 Here's Looking (or Not Looking) at You, Kid! 8 Face Off 9 Telltale Mouth 10 Body Talk 11 Keep Your Distance! 11 Stand Up! 12 Armed with Arms and Hands 12 Hand-to-Hand Combat 13 Listening Between the Lines 13 Telling Tones 14 Squeaking or Leaking? 14 Tones Ready to Verbally Attack You 15 The Mouse That Roars 15 “Tha tha that's all, folks!” 15 Where's the Foghorn? 16 Thylvesther the Cat Thaid What? 16 Slow Down, I Can't Keep Up! 17 Aren't You Done Yet? 17 The Rain in Spain Lies Mainly in the Plain 17 2 Knowing When You've Been Verbally Zapped 19 What Are They Really Saying to You? 19 You Were Not “Only Kidding” 20 What's the Matter? Cat Got Your Tongue? 21 If He Says He's a Jerk, Believe Him 22 Beware, You're Next! 22 They Don't Really Mean That! 23 Warning! You've Been Exposed to a Verbal Health Hazard 23 Verbal Abuse—the Silent Killer 24 Quiz to Determine Exposure to Verbal Abuse 25 What Do Your Answers Mean? 26 Page viii Ouch, It Hurts! The Physical Pain of Verbal Abuse 27 Head Games Lead to Heart Pains 28 Shrinking Verbal Abuse—Psychological Pain 29 3 Verbal Abusers Are Losers 33 Categorizing the Verbal Abuser 33 Level One Abusers 34 The “I'm Only Kidding” Person 34 The “Shock 'Em and Rock 'Em” Person 34 The Sarcastic/Sadistic Person 35 The Verbal Hammers Person 35 “My Dog's Bigger Than Your Dog” People 36 The Trashers 36 People Who Throw Back Your Confidences 37 The Sugary Fawner 38 Backhanded Complimentors 39 The Self-Consumed 39 Level Two Abusers 40 Interrogators 40 Gossiping, Meddling Instigators 41 Condescending Dismissers 41 Sneaky Underminers 41 “I Love You—I Hate You” People 42 “You're No Good!” People 43 Yellers, Screamers, and Ragers 43 Verbal Nazis—My Way or Else! 43 Guilt-Producing Accusers 44 Liars 44 Verbal Icicles 45 4 Verbal Murder—How and Why? 47 What Is Verbal Murder? 47 Who Are Verbal Murderers? 47 Identifying the Verbal Abusers in Your Life 48 When Do Verbal Abusers Turn into Verbal Murderers? 49 Why Does Verbal Murder Happen? 50 Unconscious Reasons for Verbal Murder 50 Hey! Don't Take It Out on Me! 50 Hey! We're Not All Like That! 50 I'm Not That Toxic Person in Your Past! 51 Green with Envy! 51 I Really Don't Deserve to Be That Happy! 52 I Don't Trust Anybody—Including You! 52 Page ix Conscious Reasons for Verbal Murder 53 They Just Plain Can't Stand You! 53 They Know You Really Don't Like Them 53 What's the Use? 53 Gimme the Reins—I Need to Control You! 53 You're Incompetent! 54 I Just Don't Believe in You! 54 I Don't Want You to Be Ahead of Me! 55 Who Said You Can Be That Happy and Lucky? 56 They Did It to Me—Now It's Your Turn! 56 Consequences of Being a Verbal Murderer 57 Consequences of Being Verbally Murdered 57 Part 2: Preparing to Verbally Defend Yourself 59 5 Analyzing Your Strengths and Weaknesses 61 How Others See You Does Matter! 61 How Do You Come Across to Others? 62 The General Consensus About You Is 63 Putting Others to the Test 63 Equipment You Need to Objectively Examine Yourself 65 Mirror, Mirror on the Wall 65 No Lies on Videotape 66 Record a Call 66 A Picture Says a Thousand Words 67 Getting Emotionally Naked 67 Stand Up and Walk the Walk! 68 The Stance of Power 68 The Walk of Authority 70 I Have to Hand It to You 71 Dead Head? 71 About Face! 72 Eye Deal 73 Is Your Mouth Goin' South? 73 Air Born 74 Ouch! My Ears Hurt Listening to You! 74 Pitching Your Voice 75 It's Quality We're After! 75 Twisting Your Tongue 76 Pump Up the Volume! Drown the Sound! 76 How Fast Were You Going? 76 The Nose Knows 76 Are You Talking to Me? 76 Page x 6 Gaining the Physical Edge 79 Postural Defense—Staking Out Your Presence 80 1. Stand Up Straight, Without a Leg Up! 80 2. Bottoms Up! 81 3. Straighten Up and Back Up! 81 4. Heads Up! 81 Walk Up! 81 Sit Up! 82 Uptight? Lighten Up! 82 Up in Arms! 83 Hands Up! 83 Shake Up! 84 Touch Up! 85 Face Up! 86 Charming, Disarming Smile 87 Kissin' Up! 87 Slipping Up or Messing Up? It All Adds Up and You End Up…! 88 7 Gaining the Verbal Advantage 91 Defensive Breathing 92 Relaxation Breathing: In—Hold—Out Control! 93 Mind-Clearing Breaths 94 Listening Through Breathing 94 Marrying Your Breathing with Your Talking 95 Vocal Defense 95 Your Most Overlooked Organ—Your Voice Box 95 Speak—Don't Squeak! 97 Yawning—Opening Up the Throat for a Smooth Voice 97 I Can't Hear You! 98 Stop Turning Me Off! 98 Stop Putting Me to Sleep with Your Boring Voice! 99 Whining No More 100 The Stuffed-Up Nose 100 Tasting Your Sounds 101 Kicking Key Consonants 101 Vowel Control 102 Demolishing Disgusting Habits 102 Say It—Don't Spray It! 102 Swallow Already! 102 Slow Down! It's Not the Grand Prix 103 Quiet! My Ears Can't Take It! 103 Spit It Out Already! 103 Hints to Help Control Your Stuttering 104 Page xi 8 Communication Skill Defense 105 Who in the World Are You? 105 “Who Are You?” Quiz 106 The Results of Who You Are 109 Keys to Gaining the Upper Hand 109 You Gotta Like You! 109 Don't Like Something About Yourself? Change It! 109 Talk Nice to You and Others Will Too 110 Cancel That! 110 The Power of the Word—What a Surprise! 111 Thoughts in Your Head 111 Open Your Mind! 111 Open Your Heart! 112 Tactics Used to Promote Verbal Peace with Others 112 Speak Up Immediately! 112 Monitor Your Mouth 113 Pay Attention to Trigger Words and Phrases 113 Terms of Endearment 114 Let Them Speak Their Piece 114 Enough About You Already! 115 Mind Your Own Business! 115 Respect Should Be Your Mantra 115 Don't Like the Answer? Then Don't Ask the Question 116 9 Confident Conversation 117 The Real Secret of Talking to Anyone 117 Understanding the Four Steps of Confident Conversation 118 Confident Pre-Conversation 118 Ending the “I Think That You Think That I Think” Game Forever! 118 Smile All the While 119 Do It Anyway! 119 You Die When You're Shy! 120 Only a Fool Plays It Cool! 120 Initiating a Confident Conversation 121 Maintaining a Confident Conversation 121 Ask, Ask, and Keep Asking! 122 Elaborate—Don't Interrogate! 122 Getting Deeper and Deeper 123 What Shall We Talk About? 123 Know What You're Talking About! 125 Bingo! You Got the Lingo! 125 Talking Ethnic 126 Page xii It's Over—I Wanna Go Now 127 Don't Be a Liar—Follow Up Immediately! 128 Never Say You'll Call If You Don't Mean It! 128 Part 3: Verbal Defense Strategies to Use in Combat 129 10 Verbal Defense Strategies 131 Entering the Verbal Combat Zone 131 A Verbal Weakling No More! 132 Verbally Pumping Up 132 Imaginary Conversation Strategy 132 Through the Looking Glass 133 Knowing When to Attack Back 134 What Your Answers Mean 134 Keep Your Eyes and Ears Open at All Times 136 Make a Choice and Make It Now 136 Picking Your Strategy 137 The Verbal Artist Has Complete Control! 137 11 Letting Them Know They've Overstepped Their Verbal Boundaries 139 Silent, Expressionless, Blank Stare 139 The Look of Disgust Strategy 141 Let It Go—Breathe and Blow Strategy 142 Calm, Calculating, Questioning Strategy—Like Columbo 143 The Naked Truth Strategy 144 “The Joke's on You”—Funny Bone Strategy 145 Love 'Em Up Strategy 146 Gentle-Toned Name Repetition 146 Hush Hush Strategy 147 Let the Baby Have Her Bottle Strategy 147 Hand-Holding Fighting Strategy 147 Heart-in-Hand Strategy 148 “What's Good About You” Strategy 148 12 When More Powerful Weaponry Is Needed 151 Never Walk Away When You Have Something to Say! 151 Protecting the Other Cheek 152 Don't Just Stand There—Do Something! 152 Verbally Setting Firm Limits 153 “This Is Unacceptable!” 154 “Excuse Me? Are You Talkin' to Me?” 155 Page xiii Strategy of Loud Verbal Explosions! 155 Fight Clean and Fair! 155 Keep It Above the Belt 156 Never, Ever Use Physical Violence! 156 Fantasy Strategy—an Alternative to Physical Violence 157 Never Threaten One's Basic Needs! 157 Keep Your Cool 158 Verbally Mirroring the Foe Strategy 158 “Give 'Em Hell and Yell” Strategy 160 13 Enough Is Enough! Knowing When to Retreat 161 Three Strikes and You're Out! 162 Yes, But 162 I Say “Yes,” You Say “No” 163 You Finally Got the Message! 165 Noooooo! Don't Do It! 165 Help!!! Emergency!!! 166 Throwaways 166 No Stalkers or Fatal Attractions Allowed! 168 Mourning and Waking Up Renewed in the Morning 168 When You're on the Verbal Merry-Go-Round 169 Forgiving Yourself Right Now! 169 Make Yourself Feel Reeeeal Good! 169 Part 4: Verbal Warfare with Specific People in Your Life 173 14 Gaining the Winning Verbal Edge Between the Sexes 175 What's the Real Deal? 176 Learning to Be Bilingual 176 Once Upon a Time There Was an Infant Boy and Girl 177 There's Only One Brain! 177 What Shall We Talk About? 178 He Says—She Thinks! She Says—He Thinks! 178 No-No Scenario 1 179 No-No Scenario 2 179 No-No Scenario 3 180 No-No Scenario 4 180 No-No Scenario 5 180 He Says—He Means! She Says—She Means! 181 Scenario 1 Shoulda Said 181 Scenario 2 Shoulda Said 181 Scenario 3 Shoulda Said 182 Scenario 4 Shoulda Said 182 Scenario 5 Shoulda Said 182 Page xiv Oh! So That's What You Meant! 183 Basic Male 101 183 Basic Female 101 185 See What I Mean? 186 What Men Need to Do 187 What Women Need to Do 187 Saving You a Lot of Grief! 188 15 Blood Is Not Always Thicker Than Water! 191 Defense Against Verbally Abusive Parents 191 Long-Lasting Effects 192 Your Best Bet! 192 Defense Against Verbally Abusive Siblings 193 Too Close for Comfort 193 Your Best Bet! 194 Verbal Defense with Teens 194 Trash Talkin' Teens 195 Expect to Hear This from Your Teen 196 Verbal Defense with School-Aged Kids 197 Best Bet: Set Limits Immediately! 197 Parental Verbal Control 197 Best Bets: Ask Your Child If She Wants to Go Somewhere with You 198 Verbal Defense with Pre-Schoolers 198 Verbal Defense in Utero 198 Verbal Defense with Infants and Toddlers 199 Terrible Twos Are Verbally Terrific! 199 Talking to Children Who Act Out Verbally 200 Your Best Bet: Children of This Age Crave Respect 200 Cursing Kids 201 16 Verbal Warfare with Specific People in Your Life 203 Verbal Self-Defense Techniques for Various Groups 203 Invasive Strangers 204 “Friends” 204 Enemies 205 Customer Service Representatives 205 People Entrusted with Yourself or Your Property 206 Salespeople, Store Clerks, and Realtors 207 People Who Serve You 208 People Who Don't Speak Your Language 211 Professionals and Authority Figures 212 Verbally Toxic Employers 212 Verbal Medical and Dental Disasters 213 Page xv Part 5: Verbal Combat Against Verbal Abusers 215 17 Verbal Combat Against Annoying Verbal Abusers 217 Mumble Jumble 217 Sonic Boomers! 218 Meek, Weak, and Squeak 219 Baby-Voiced and Cutsie-Wootsie 219 Where to Direct a Person with an Annoying Voice 221 The Monotonous Drone 222 The Fast Talker 223 Name-Dropper 223 The Know-It-All 224 SlangGangers 225 Conversation Hogs 226 Repeat, Repeating, Repeaters 226 Wordy Ones 227 The Whiner 227 18 Verbal Combat Against Painful Verbal Abusers 229 Verbal Abuse Can Actually Make You Nauseous! 229 The Verbally Dead 230 Verbal Vomiters 231 Sugary Sweet Phonies 232 Poor-Poor Me 233 “Fibbers” 234 *%#&@ Cussers! 234 Me, Me, Me 235 The Anointed One Has Spoken! 236 19 Verbal Combat Against Dangerous Verbal Abusers 239 PROCEED WITH EXTREME CAUTION! 239 Lambs to Lions 240 Control Freaks 240 Backstabbing Enviers 241 Hitting-Below-the-Belt Abusers 242 Verbal Interrogators 243 Fanatics and Zealots 244 Yes-Yes Do-Nothings 245 The Mentally/Verbally Dis post was too long read more at your own risk |
| ______________________________________ [Mar 25,2008 5:46pm - deadlikemurf ""] sick. |
| ________________________________________ [Mar 25,2008 5:48pm - DestroyYouAlot ""] Pfft - I already knew all of that. BTW, I'm totally buying you guys a rubber fist for the practice space. Start practicing. |
| ____________________________________ [Mar 25,2008 8:24pm - fleshfries ""] [QUOTE="Mucko:738749"] Page i Verbal Self-Defense by Lillian Glass, Ph.D. A Division of Macmillan General Reference A Pearson Education Macmillan Company 1633 Broadway, New York, NY 10019 Page ii Copyright© 1999 Lillian Glass, Ph.D. All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. For information, address Alpha Books, 1633 Broadway, 7th Floor, New York, NY 10019-6785. THE COMPLETE IDIOT'S GUIDE name and design are trademarks of Macmillan, Inc. Macmillan Publishing books may be purchased for business or sales promotional use. For information please write: Special Markets Department, Macmillan Publishing USA, 1633 Broadway, New York, NY 10019. International Standard Book Number: 0-02-862741-5 Library of Congress Catalog Card Number: 99-64466 01 00 99 8 7 6 5 4 3 2 1 Interpretation of the printing code: the rightmost number of the first series of numbers is the year of the book's printing; the rightmost number of the second series of numbers is the number of the book's printing. For example, a printing code of 99-1 shows that the first printing occurred in 1999. Printed in the United States of America Note: This publication contains the opinions and ideas of its author. It is intended to provide helpful and informative material on the subject matter covered. It is sold with the understanding that the author and publisher are not engaged in rendering professional services in the book. If the reader requires personal assistance or advice, a competent professional should be consulted. The authors and publisher specifically disclaim any responsibility for any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly, of the use and application of any of the contents of this book. Page iii Alpha Development Team Publisher Kathy Nebenhaus Editorial Director Gary M. Krebs Managing Editor Bob Shuman Marketing Brand Manager Felice Primeau Acquisitions Editor Jessica Faust Development Editors Phil Kitchel Amy Zavatto Assistant Editor Georgette Blau Production Team Development Editor Jessica Faust Production Editor Robyn Burnett Copy Editor Erik Dafforn Cover Designer Mike Freeland Photo Editor Richard H. Fox Illustrator Kevin Spear Book Designer Scott Cook and Amy Adams of Design Lab Indexer Tim Wright Layout/Proofreading Angela Calvert Ellen Considine Page iv CONTENTS AT A GLANCE Part 1: Identifying the Verbally Venomous Opponent 1 1 Identifying the Verbally Venomous Opponent Observe the person from head to toe in a way you never have before. Listen between the lines to what they are really saying through their facial and body language and the sound of their voice. 3 2 Knowing When You've Been Verbally Zapped Translate what is meant by seemingly innocent statements that are really verbal barbs. Take the quiz to see if you've been exposed to verbal abuse. 19 3 Verbal Abusers Are Losers Find out the inner workings of different types of verbal abusers, categorized according to the severity of their abusive behavior. 33 4 Verbal Murder—How and Why? Learn some of the conscious and unconscious reasons for and the consequences of being verbally murdered. 47 Part 2: Preparing to Verbally Defend Yourself 59 5 Analyzing Your Strengths and Weaknesses Learn ways to objectively examine how you come across to others— everything from the way you walk to the way you talk. 61 6 Gaining the Physical Edge Learn techniques for enhancing your image. These will create a more powerful perception of you in others and instill more self-confidence in you. 79 7 Gaining the Verbal Advantage How you sound when you speak cannot be overlooked if you want to win the verbal war. Learn strategies for enhancing the way you speak. 91 8 Communication Skill Defense Just as it is important to sound good in verbal warfare, it is important to 105 say the right thing. Learn the basics of communication that will make others more receptive towards you. 9 Confident Conversation Learn to develop the charisma to attract people, keep them interested, and interact with them in the future. 117 Page v Part 3: Verbal Defense Strategies to Use in Combat 129 10 Verbal Defense Strategies Memorize the verbal self-defense strategies so you can easily call upon a particular strategy in any circumstance. If one doesn't work, you have numerous others from which to choose. 131 11 Letting Them Know They've Overstepped Their Verbal Boundaries Now there is no excuse for being victimized or traumatized by an opponent who intrudes on your territory. You have a bag full of strategies to ward them off. 139 12 When More Powerful Weaponry Is Needed You can accomplish more with your mouth than with your fists. It's okay to get angry, but the consequences of physical violence are too high. 151 13 Enough Is Enough! Knowing When to Retreat Learn how to quickly determine when the verbal battle is finally over. Whether you won or lost, you still need to recoup and regroup. This chapter shows you how to do both. 161 Part 4: Verbal Warfare with Specific People in Your Life 173 14 Gaining the Winning Verbal Edge Between the Sexes Learn the basics of male and female communication. This will help you avoid many common pitfalls responsible for verbal warfare between couples. 175 15 Blood Is Not Always Thicker Than Water! Learn how to converse with various family members to understand their perspectives; if they're just too toxic, learn to get out and save yourself. 191 16 Verbal Warfare with Specific People in Your Life Master the words to use for specific kinds of abusers, so that you will never again be a victim. 203 Part 5: Verbal Combat Against Verbal Abusers 215 17 Verbal Combat Against Annoying Verbal Abusers The 13 types of annoying vermin won't hurt you, just drive you insane. Here are remedies for them. 217 18 Verbal Combat Against Painful Verbal Abusers These eight types of disgusting and obnoxious verbal vermin can literally make you sick. Learn to combat them so that you won't vomit. 229 Page vi 19 Verbal Combat Against Dangerous Verbal Abusers These 11 types of dangerous verbal vermin can inflict emotional, mental, and physical harm upon you. Here are strategies available to help you protect yourself. 239 Part 6: Dodging Verbal Bullets in Specific Battlefields 253 20 Verbal Defense over the Telephone Learn what to say over the telephone to rude and unhelpful people, pests, and those who have bad telephone habits. 255 21 Verbal Self-Defense in Sticky Situations What to say in real-life situations nobody talks about. Topics range from telling someone they have body odor to getting a cheapskate to cough up the money for a bill. 267 22 Verbal Self-Defense in More Difficult Situations How to deal with situations that are even more difficult, because they involve people such as those who are dying or grieving over someone else's death, and those who lie. 281 23 Verbal Self-Defense Can Save Your Life! How to thwart a potential criminal act by knowing what to say and how to say it. You will also learn how to broach the subject of safe sex. 293 24 Verbally Defending YOU Against YOU! What you say about yourself says it all! People who speak well about themselves encourage others to do the same. Be discriminating about what you say about yourself and others. 307 A Resources 319 B To Order Dr. Glass's Products 323 Index 325 Page vii CONTENTS Part 1: Identifying the Verbally Venomous Opponent 1 1 Identifying the Verbally Venomous Opponent 3 Stop, Look, and Listen—Sizing Up Your Opponent 3 20/20 Hindsight 4 Freeze and Focus 5 Reading Between the Lines 5 Telltale Eyes 7 Here's Looking (or Not Looking) at You, Kid! 8 Face Off 9 Telltale Mouth 10 Body Talk 11 Keep Your Distance! 11 Stand Up! 12 Armed with Arms and Hands 12 Hand-to-Hand Combat 13 Listening Between the Lines 13 Telling Tones 14 Squeaking or Leaking? 14 Tones Ready to Verbally Attack You 15 The Mouse That Roars 15 “Tha tha that's all, folks!” 15 Where's the Foghorn? 16 Thylvesther the Cat Thaid What? 16 Slow Down, I Can't Keep Up! 17 Aren't You Done Yet? 17 The Rain in Spain Lies Mainly in the Plain 17 2 Knowing When You've Been Verbally Zapped 19 What Are They Really Saying to You? 19 You Were Not “Only Kidding” 20 What's the Matter? Cat Got Your Tongue? 21 If He Says He's a Jerk, Believe Him 22 Beware, You're Next! 22 They Don't Really Mean That! 23 Warning! You've Been Exposed to a Verbal Health Hazard 23 Verbal Abuse—the Silent Killer 24 Quiz to Determine Exposure to Verbal Abuse 25 What Do Your Answers Mean? 26 Page viii Ouch, It Hurts! The Physical Pain of Verbal Abuse 27 Head Games Lead to Heart Pains 28 Shrinking Verbal Abuse—Psychological Pain 29 3 Verbal Abusers Are Losers 33 Categorizing the Verbal Abuser 33 Level One Abusers 34 The “I'm Only Kidding” Person 34 The “Shock 'Em and Rock 'Em” Person 34 The Sarcastic/Sadistic Person 35 The Verbal Hammers Person 35 “My Dog's Bigger Than Your Dog” People 36 The Trashers 36 People Who Throw Back Your Confidences 37 The Sugary Fawner 38 Backhanded Complimentors 39 The Self-Consumed 39 Level Two Abusers 40 Interrogators 40 Gossiping, Meddling Instigators 41 Condescending Dismissers 41 Sneaky Underminers 41 “I Love You—I Hate You” People 42 “You're No Good!” People 43 Yellers, Screamers, and Ragers 43 Verbal Nazis—My Way or Else! 43 Guilt-Producing Accusers 44 Liars 44 Verbal Icicles 45 4 Verbal Murder—How and Why? 47 What Is Verbal Murder? 47 Who Are Verbal Murderers? 47 Identifying the Verbal Abusers in Your Life 48 When Do Verbal Abusers Turn into Verbal Murderers? 49 Why Does Verbal Murder Happen? 50 Unconscious Reasons for Verbal Murder 50 Hey! Don't Take It Out on Me! 50 Hey! We're Not All Like That! 50 I'm Not That Toxic Person in Your Past! 51 Green with Envy! 51 I Really Don't Deserve to Be That Happy! 52 I Don't Trust Anybody—Including You! 52 Page ix Conscious Reasons for Verbal Murder 53 They Just Plain Can't Stand You! 53 They Know You Really Don't Like Them 53 What's the Use? 53 Gimme the Reins—I Need to Control You! 53 You're Incompetent! 54 I Just Don't Believe in You! 54 I Don't Want You to Be Ahead of Me! 55 Who Said You Can Be That Happy and Lucky? 56 They Did It to Me—Now It's Your Turn! 56 Consequences of Being a Verbal Murderer 57 Consequences of Being Verbally Murdered 57 Part 2: Preparing to Verbally Defend Yourself 59 5 Analyzing Your Strengths and Weaknesses 61 How Others See You Does Matter! 61 How Do You Come Across to Others? 62 The General Consensus About You Is 63 Putting Others to the Test 63 Equipment You Need to Objectively Examine Yourself 65 Mirror, Mirror on the Wall 65 No Lies on Videotape 66 Record a Call 66 A Picture Says a Thousand Words 67 Getting Emotionally Naked 67 Stand Up and Walk the Walk! 68 The Stance of Power 68 The Walk of Authority 70 I Have to Hand It to You 71 Dead Head? 71 About Face! 72 Eye Deal 73 Is Your Mouth Goin' South? 73 Air Born 74 Ouch! My Ears Hurt Listening to You! 74 Pitching Your Voice 75 It's Quality We're After! 75 Twisting Your Tongue 76 Pump Up the Volume! Drown the Sound! 76 How Fast Were You Going? 76 The Nose Knows 76 Are You Talking to Me? 76 Page x 6 Gaining the Physical Edge 79 Postural Defense—Staking Out Your Presence 80 1. Stand Up Straight, Without a Leg Up! 80 2. Bottoms Up! 81 3. Straighten Up and Back Up! 81 4. Heads Up! 81 Walk Up! 81 Sit Up! 82 Uptight? Lighten Up! 82 Up in Arms! 83 Hands Up! 83 Shake Up! 84 Touch Up! 85 Face Up! 86 Charming, Disarming Smile 87 Kissin' Up! 87 Slipping Up or Messing Up? It All Adds Up and You End Up…! 88 7 Gaining the Verbal Advantage 91 Defensive Breathing 92 Relaxation Breathing: In—Hold—Out Control! 93 Mind-Clearing Breaths 94 Listening Through Breathing 94 Marrying Your Breathing with Your Talking 95 Vocal Defense 95 Your Most Overlooked Organ—Your Voice Box 95 Speak—Don't Squeak! 97 Yawning—Opening Up the Throat for a Smooth Voice 97 I Can't Hear You! 98 Stop Turning Me Off! 98 Stop Putting Me to Sleep with Your Boring Voice! 99 Whining No More 100 The Stuffed-Up Nose 100 Tasting Your Sounds 101 Kicking Key Consonants 101 Vowel Control 102 Demolishing Disgusting Habits 102 Say It—Don't Spray It! 102 Swallow Already! 102 Slow Down! It's Not the Grand Prix 103 Quiet! My Ears Can't Take It! 103 Spit It Out Already! 103 Hints to Help Control Your Stuttering 104 Page xi 8 Communication Skill Defense 105 Who in the World Are You? 105 “Who Are You?” Quiz 106 The Results of Who You Are 109 Keys to Gaining the Upper Hand 109 You Gotta Like You! 109 Don't Like Something About Yourself? Change It! 109 Talk Nice to You and Others Will Too 110 Cancel That! 110 The Power of the Word—What a Surprise! 111 Thoughts in Your Head 111 Open Your Mind! 111 Open Your Heart! 112 Tactics Used to Promote Verbal Peace with Others 112 Speak Up Immediately! 112 Monitor Your Mouth 113 Pay Attention to Trigger Words and Phrases 113 Terms of Endearment 114 Let Them Speak Their Piece 114 Enough About You Already! 115 Mind Your Own Business! 115 Respect Should Be Your Mantra 115 Don't Like the Answer? Then Don't Ask the Question 116 9 Confident Conversation 117 The Real Secret of Talking to Anyone 117 Understanding the Four Steps of Confident Conversation 118 Confident Pre-Conversation 118 Ending the “I Think That You Think That I Think” Game Forever! 118 Smile All the While 119 Do It Anyway! 119 You Die When You're Shy! 120 Only a Fool Plays It Cool! 120 Initiating a Confident Conversation 121 Maintaining a Confident Conversation 121 Ask, Ask, and Keep Asking! 122 Elaborate—Don't Interrogate! 122 Getting Deeper and Deeper 123 What Shall We Talk About? 123 Know What You're Talking About! 125 Bingo! You Got the Lingo! 125 Talking Ethnic 126 Page xii It's Over—I Wanna Go Now 127 Don't Be a Liar—Follow Up Immediately! 128 Never Say You'll Call If You Don't Mean It! 128 Part 3: Verbal Defense Strategies to Use in Combat 129 10 Verbal Defense Strategies 131 Entering the Verbal Combat Zone 131 A Verbal Weakling No More! 132 Verbally Pumping Up 132 Imaginary Conversation Strategy 132 Through the Looking Glass 133 Knowing When to Attack Back 134 What Your Answers Mean 134 Keep Your Eyes and Ears Open at All Times 136 Make a Choice and Make It Now 136 Picking Your Strategy 137 The Verbal Artist Has Complete Control! 137 11 Letting Them Know They've Overstepped Their Verbal Boundaries 139 Silent, Expressionless, Blank Stare 139 The Look of Disgust Strategy 141 Let It Go—Breathe and Blow Strategy 142 Calm, Calculating, Questioning Strategy—Like Columbo 143 The Naked Truth Strategy 144 “The Joke's on You”—Funny Bone Strategy 145 Love 'Em Up Strategy 146 Gentle-Toned Name Repetition 146 Hush Hush Strategy 147 Let the Baby Have Her Bottle Strategy 147 Hand-Holding Fighting Strategy 147 Heart-in-Hand Strategy 148 “What's Good About You” Strategy 148 12 When More Powerful Weaponry Is Needed 151 Never Walk Away When You Have Something to Say! 151 Protecting the Other Cheek 152 Don't Just Stand There—Do Something! 152 Verbally Setting Firm Limits 153 “This Is Unacceptable!” 154 “Excuse Me? Are You Talkin' to Me?” 155 Page xiii Strategy of Loud Verbal Explosions! 155 Fight Clean and Fair! 155 Keep It Above the Belt 156 Never, Ever Use Physical Violence! 156 Fantasy Strategy—an Alternative to Physical Violence 157 Never Threaten One's Basic Needs! 157 Keep Your Cool 158 Verbally Mirroring the Foe Strategy 158 “Give 'Em Hell and Yell” Strategy 160 13 Enough Is Enough! Knowing When to Retreat 161 Three Strikes and You're Out! 162 Yes, But 162 I Say “Yes,” You Say “No” 163 You Finally Got the Message! 165 Noooooo! Don't Do It! 165 Help!!! Emergency!!! 166 Throwaways 166 No Stalkers or Fatal Attractions Allowed! 168 Mourning and Waking Up Renewed in the Morning 168 When You're on the Verbal Merry-Go-Round 169 Forgiving Yourself Right Now! 169 Make Yourself Feel Reeeeal Good! 169 Part 4: Verbal Warfare with Specific People in Your Life 173 14 Gaining the Winning Verbal Edge Between the Sexes 175 What's the Real Deal? 176 Learning to Be Bilingual 176 Once Upon a Time There Was an Infant Boy and Girl 177 There's Only One Brain! 177 What Shall We Talk About? 178 He Says—She Thinks! She Says—He Thinks! 178 No-No Scenario 1 179 No-No Scenario 2 179 No-No Scenario 3 180 No-No Scenario 4 180 No-No Scenario 5 180 He Says—He Means! She Says—She Means! 181 Scenario 1 Shoulda Said 181 Scenario 2 Shoulda Said 181 Scenario 3 Shoulda Said 182 Scenario 4 Shoulda Said 182 Scenario 5 Shoulda Said 182 Page xiv Oh! So That's What You Meant! 183 Basic Male 101 183 Basic Female 101 185 See What I Mean? 186 What Men Need to Do 187 What Women Need to Do 187 Saving You a Lot of Grief! 188 15 Blood Is Not Always Thicker Than Water! 191 Defense Against Verbally Abusive Parents 191 Long-Lasting Effects 192 Your Best Bet! 192 Defense Against Verbally Abusive Siblings 193 Too Close for Comfort 193 Your Best Bet! 194 Verbal Defense with Teens 194 Trash Talkin' Teens 195 Expect to Hear This from Your Teen 196 Verbal Defense with School-Aged Kids 197 Best Bet: Set Limits Immediately! 197 Parental Verbal Control 197 Best Bets: Ask Your Child If She Wants to Go Somewhere with You 198 Verbal Defense with Pre-Schoolers 198 Verbal Defense in Utero 198 Verbal Defense with Infants and Toddlers 199 Terrible Twos Are Verbally Terrific! 199 Talking to Children Who Act Out Verbally 200 Your Best Bet: Children of This Age Crave Respect 200 Cursing Kids 201 16 Verbal Warfare with Specific People in Your Life 203 Verbal Self-Defense Techniques for Various Groups 203 Invasive Strangers 204 “Friends” 204 Enemies 205 Customer Service Representatives 205 People Entrusted with Yourself or Your Property 206 Salespeople, Store Clerks, and Realtors 207 People Who Serve You 208 People Who Don't Speak Your Language 211 Professionals and Authority Figures 212 Verbally Toxic Employers 212 Verbal Medical and Dental Disasters 213 Page xv Part 5: Verbal Combat Against Verbal Abusers 215 17 Verbal Combat Against Annoying Verbal Abusers 217 Mumble Jumble 217 Sonic Boomers! 218 Meek, Weak, and Squeak 219 Baby-Voiced and Cutsie-Wootsie 219 Where to Direct a Person with an Annoying Voice 221 The Monotonous Drone 222 The Fast Talker 223 Name-Dropper 223 The Know-It-All 224 SlangGangers 225 Conversation Hogs 226 Repeat, Repeating, Repeaters 226 Wordy Ones 227 The Whiner 227 18 Verbal Combat Against Painful Verbal Abusers 229 Verbal Abuse Can Actually Make You Nauseous! 229 The Verbally Dead 230 Verbal Vomiters 231 Sugary Sweet Phonies 232 Poor-Poor Me 233 “Fibbers” 234 *%#&@ Cussers! 234 Me, Me, Me 235 The Anointed One Has Spoken! 236 19 Verbal Combat Against Dangerous Verbal Abusers 239 PROCEED WITH EXTREME CAUTION! 239 Lambs to Lions 240 Control Freaks 240 Backstabbing Enviers 241 Hitting-Below-the-Belt Abusers 242 Verbal Interrogators 243 Fanatics and Zealots 244 Yes-Yes Do-Nothings 245 The post was too long read more at your own risk |
| ________________________________ [Mar 26,2008 12:31am - Mucko ""] [img] [img] [img] [img] [img] |
| _____________________________________ [Mar 26,2008 12:41am - Mike Pile ""] dance, puppets |
| ________________________________________ [Mar 26,2008 8:29am - DestroyYouAlot ""] RICH HORROR IS RAVIOLIS LOL |
| ____________________________________ [Mar 26,2008 9:07am - RichHorror ""] I remember when we were friends. No I don't. |
| _________________________________________ [Mar 26,2008 12:37pm - DestroyYouAlot ""] Don't be like that, pookums. |
| _____________________________________ [Mar 26,2008 12:38pm - RichHorror ""] I like farting a lot. |
| ______________________________________ [Mar 26,2008 5:30pm - Hungtableed ""] mortalis said: menstrual_sweatpants_disco said: Secondly, HungtaBleed is a pussy and WILL NEVER confront anybody in person with the shit he's saying here. I think everybody obviously knows this. Therefore, his opinion is totally invalid. Fuck him. Has anybody even met this clown in real life? He's useless. he was actually pretty nice when grant and i met him at a show at that mill street brews place. least i think that was him. I am not an inconsiderate, sarcastic asshole - I just play one on the interweb. |
| ____________________________________________________ [Mar 26,2008 6:03pm - menstrual_sweatpants_disco ""] That's the dumbest thing I've heard in a long time. I don't think it's going to convince Rich that you're not back pedaling. |
| ______________________________________ [Mar 26,2008 6:37pm - Hungtableed ""] Back pedaling, pack schmedeling... I don't think I've ever had a more reasonable excuse to use this as a quote: [img] I sincerely feel bad for him; especially considering that he is in his 30s and still has not only no, but such a negative life, that he takes interweb insults so seriously. Coming from someone who doesn't hesitate to insult people/ideas/bands/etc. that he doesn't like, I would suggest that he grow some pubes and learn to take a joke and/or some criticism...I mean, it should be expected from someone who we all know is willing to take it...if you know what I mean. |
| ____________________________________ [Mar 26,2008 6:42pm - fleshfries ""] Who are you to criticize him? |
| ______________________________________ [Mar 26,2008 6:44pm - Hungtableed ""] Considering that he not only sucks dildos but also tries to put them in his ass, does it really matter who I am? |
| ____________________________________ [Mar 26,2008 7:30pm - fleshfries ""] Well actually...him sucking dildos has nothing to do with it, so I don't see where you're coming from on this one... |
| ______________________________________ [Mar 26,2008 8:48pm - Hungtableed ""] fleshfries said:Well actually...him sucking dildos has nothing to do with it, so I don't see where you're coming from on this one... hmmmmphhhfff. Apparently flechfries either lacks reading comprehension skills or he has a similar video of himself sucking a rubber dick like it's a cock. I assume the later... Nice way to tell everyone that you soooo desire to suck dick that you're willing to suck silicone replicas. Fag, errrrrrrrrr, shit - I'm no homophobe so I guess I mean - pussy. Does the PC Police here accept "pussy" as an insult? |
| _____________________________ [Mar 26,2008 8:51pm - ZJD ""] Have you ever even had a dildo in your ass? Don't hate. |
| _____________________________ [Mar 26,2008 8:53pm - ZJD ""] Also, repeatedly watching MSD come into frame and cross his arm over is now funnier to me than watching Rich. |
| __________________________________________ [Mar 26,2008 8:55pm - DaveFromTheGrave ""] Hungtableed said: hmmmmphhhfff. Apparently flechfries either lacks reading comprehension skills or he has a similar video of himself sucking a rubber dick like it's a cock. I assume the later... Nice way to tell everyone that you soooo desire to suck dick that you're willing to suck silicone replicas. Fag, errrrrrrrrr, shit - I'm no homophobe so I guess I mean - pussy. Does the PC Police here accept "pussy" as an insult? blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah |
| __________________________________ [Mar 26,2008 8:59pm - Niccolai ""] I'll suck all ya dicks right fuckin now you homos. Fact. |
| _____________________________________ [Mar 26,2008 10:06pm - fleshfries ""] Hungtableed said:hmmmmphhhfff. Apparently flechfries either lacks reading comprehension skills or he has a similar video of himself sucking a rubber dick like it's a cock. I assume the later... Nice way to tell everyone that you soooo desire to suck dick that you're willing to suck silicone replicas. Fag, errrrrrrrrr, shit - I'm no homophobe so I guess I mean - pussy. Does the PC Police here accept "pussy" as an insult? I may lack reading comprehension skills, but I surpass you in grammar skills! Fact. |
| ___________________________________ [Mar 26,2008 10:13pm - Niccolai ""] Remember when RTTP was a cool place? You know, before everyone had their period over literacy... |
| ____________________________________ [Mar 26,2008 10:44pm - demondave ""] [img] |
| _________________________________________ [Mar 26,2008 11:31pm - DestroyYouAlot ""] ZJD said:Also, repeatedly watching MSD come into frame and cross his arm over is now funnier to me than watching Rich. Dat's da troof. |
| ______________________________ [Mar 26,2008 11:40pm - ZJD ""] You can't see but I picture his legs crossed like a classy lady. Like Barbara Walters. |
| ________________________________________ [Mar 26,2008 11:56pm - The Revealer ""] That's a dildo? I thought it was a bottle of seasonal beer. |
| _______________________________ [Mar 27,2008 8:50am - Mucko ""] Hungtableed said:Considering that he not only sucks dildos but also tries to put them in his ass, does it really matter who I am? You should just come to a show and hang out. Bury all this bullshit. I'll buy you and Rich a beer. |
| ____________________________________ [Mar 27,2008 9:27am - GodlessRob ""] Things we learned from this post: Rich will suck a dildo to get his friends to laugh - big shocker! Mike will post the most idiotic, "shocking" shit to make his friends and us cringe in disgust and laugh - no really? Hungtableed - thinks Rich is gay The Rev - I think - was only joking and Rich took it wrong Mucko - has the Anarchist Cookbook along with an number literary works on his hard drive - kudos Fleshfries - has a point, who are we really to criticize anyone else - no one is perfect Dave From The Grave - likes to say Blah Blah Blah - allot Niccolai - will suck all of our dix cause we is homos - (no grammar police please, I wrote that like that on purpose) speaking of which... Fleshfries - is a grammatical wizard - what a strange compliment - "why yes he does have good grammar" DestroyAlot - has got da proof ZJD - Likes to picture Mike with his legs crossed like Barbara Walters - uhh what? The Reavealer - can't tell the difference between a dildo and a bottle of seasonal beer. Me - I am like that guy in Creepshow - I am a germaphobe - I am actually glad to know that Rich sanitizes that thing. OK Boys and Girls now that we learned something, can we please let this die. I know it will never happen, but it should. It's over and done with. Seriously, can anyone of us say we haven't done something stoopid either at the behest of our friends or for the benefit of our friends, to get them to laugh? I would venture a guess and say almost all of us have done something along those lines. I am not kissing anyone's ass, nor would I ever. Rich not only makes it a habit of making an ass out of himself to make us laugh, but he is in a group of limited people who try and do something for this "scene" and for people to over shadow what he does, over a retarded thing like this, is fucked. OK OK OK. I get it. Rich sucked a dildo... At least it was clean! |
| __________________________________________ [Mar 27,2008 9:31am - corpus_colostomy ""] one thing that may not have been addressed in this thread was the movement of richard's right hand as he retracted the phalloid... :ralphie: |
| ___________________________________ [Mar 27,2008 11:25am - Niccolai ""] GodlessRob said: Niccolai - will suck all of our dix cause we is homos - (no grammar police please, I wrote that like that on purpose) damn straight. |
| _____________________________________ [Mar 27,2008 12:37pm - fleshfries ""] [img] |
| ___________________________________ [Mar 27,2008 12:46pm - Niccolai ""] post ending in :57 pm gets their asshole licked. |
| ____________________________________ [Mar 27,2008 12:57pm - narkybark ""] It's probably not necessary but I will add that I too was posting pure silliness and have no ill will towards Mr. Rampant. My attempt at comedy fell faster than Pauly Shore's career. But more importantly, does my post end in :57pm? |
| __________________________________ [Mar 27,2008 3:19pm - Niccolai ""] Get your asshole ready man. |
| __________________________________ [Mar 27,2008 3:44pm - DYA/NLI ""] Niccolai said:Get your asshole ready man. [img] LIKE DIS? |
| ___________________________________________ [May 19,2008 10:33pm - Miss Meggly nli ""] menstrual_sweatpants_disco said:[img] Chubby checker, that's one mean twist. I heard you were racist but that is clearly a black cock. |
| _______________________________________ [May 19,2008 10:37pm - the_reverend ""] did you break my site again!!? |
| ______________________________________ [May 20,2008 2:01am - the_reverend ""] fixed... again... |
| ____________________________________________________ [May 20,2008 6:58pm - menstrual_sweatpants_disco ""] Miss%20Meggly%20nli said:Chubby checker, that's one mean twist. I heard you were racist but that is clearly a black cock. It's purple. Clearly your kindergarten teacher did a bad job. :spineyes: |
| _______________________________________ [Mar 10,2012 5:37pm - Wigger Nancy ""] enter a quick response username filter message |
| ____________________________________ [Nov 8,2014 10:16am - anonymous ""] Methamedmine |
| _____________________________________ [Jun 4,2016 11:18pm - LindaWando ""] Good suggestions - I was enlightened by the facts - Does someone know where I could possibly acquire a sample a form version to type on ? |
| ____________________________________ [Jun 5,2016 4:08am - AbbieMucci ""] Hello LindaWando! my work colleague filled out a template a form form with this link http://goo.gl/yG6mjR |