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[QUOTE]blah blah blah[/QUOTE] to reply to ichabod.
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[QUOTE="ichabod:474670"]Ok..time to chime in. I recently spoke to Matt again (this is the 2nd year he asked us to do his fest)...unfortunately, we absolutely cannot get past a complete & total difference in philosophy. As I stated to him, Ichabod will NEVER- 1)We will NEVER, EVER "pay to play"; whether you consider making the purchasing of tickets mandatory a"pay to play" situation or not is irrelevant. The fact that the "business opportunity" is MANDATORY for bands playing is the relevant part. If a band wants to pursue an "opportunity", let them solicit you, the promoter, not vice versa. Opportunity by definition is never mandatory, dig? Opportunity is synonomous with "chance", not with "obligatory, requisite, compulsory, binding, forced, imperious" ,etc. 2)We will NEVER, NEVER, NEVER "sell tickets" in this manner. I explained to Matt how I did advance ticket sales through a website for the Sweet Leaf festival (which was a HUGE success and all the bands were psyched with turnout AND were paid very well). He didn't agree whatsoever with not making the ticket sales the bands' responsibility. As the promoter for Sweet Leaf fest, I felt directly responsible for ticket sales, and all I asked the bands to do was direct their fanbases to the website where they could buy advance tickets for a discount if they wished. Bands SHOULD help by posting on their websites, flyering, mailing lists, etc., but leave the ticketing related stuff to the promoter and/or club depending on the situation. 3) We will NEVER play a "battle of the bands", albeit called an "audition"...we've got zero to prove to anyone and feel strongly that there is absolutely no objective way to "judge" such an event anyway. If the judges happen to prefer black metal, hip hop, or country-western, we're fucked. Why bother? It is the most tired trend amongst local band scenes in existence. Besides, we are "local" only in geography. Otherwise we do not aspire to be prominently known as part of any "scene" other than to be recognized worldwide for what we do. We're not auditioning for shit...if you are promoting a new event, you need to audition for us and make us believe your event is fucking worth playing and lugging my gear out to. Usually, the bands with the most friends who turn out "win" the battle, or, ahem...audition. The lamest trend I've seen in recent years are the "party busses" that bands rent to transport their local kegger to their shows. Piped in audiences! Alright! Therefore, Matt and I, although amicably, reached an impasse. I will continue to host and promote events like Sweet Leaf festival, with a host of well-paid locals who don't have any obligations other than to show up and play as opening acts for the likes of Warhorse, Today is the Day, and Dove in front of a full house. I tried to explain to Matt that although he and Anderson may LOVE the Bella Mortes of the world, expecting them to be a festival headlining draw is not going to cut it in this area. No disrespect to Matt as he has been nothing but nice to me, and Anderson seems extremely sweet, but I told him that if/when he is willing to reassess his current policies, then Ichabod will consider helping him out in whatever way we can. Until then, and when he stops this kind of promoter/ego silliness with the Rev, it's a no go and a withering on the vine. The Rev is always welcome with open arms at any Ichabod shows or any of my "fests"...as a matter of fact, , as his work provides more "promotion" than any promoter of a one-time show could, perhaps we should all be paying HIM.[/QUOTE]
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