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(values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to sever.
Please remove excess text as not to re-post tons
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[QUOTE="sever:895597"]I never claimed to understand anything better than anyone else. Music is a language only on the surface. One does not learn to "speak" music casually to communicate ideas. Music is an artform that extends beyond the boundaries language, just as poetry does. It's not so much that one is trying to find new and unique ways of creating music, but rather trying to find more efficient and effective ways of communicating musically. The future of an art is in its ability to adapt to an ever-changing social climate to suit the needs and expressions of the artists. All I'm saying is that, in my opinion, focusing simply on classical western music theory as inspiration for the "future" of metal will yield limited, boring, results. The same techniques and theories can only be used so many times before its application to a specific idea is worn out. What Meshuggah is doing is something fresh, that few other bands have bothered to try. Why not use the distorted, twangy properties of heavy metal guitars to suit a rhythmic purpose? When everyone else focuses on melodic progressions, why not focus more on rhythmic progression as a means of propelling a song forward?[/QUOTE]
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